In the Shadow of Liberty: the Hidden History of Slavery, Four Presidents, and Five Black Lives by Kenneth C. Davis.
New York : Henry Holt and Co., 2016.
xvii, 286 p. : ill. ; 24 cm.
I was interested in this book as soon as I saw a review of it. The Shadow of Liberty seemed like a great addition to the limited resources that we have on the period of the American Revolution and early history of the republic - and one that students might actually pick up and read. As the book's subtitle indicates, it also might have a nice resonance with the contemporary Black Lives Matter movement. But what finally motivated me to read it this summer was seeing that one of our history teachers launched a Donors Choose page in order to get enough copies of the book for his class so he could use it as a central text.
This is a great young adult history book. It's very interesting, has succinct chapters, and relates a history that is rarely told - the role of several of the first US presidents in keeping people enslaved. It's also great in that it does not in anyway minimize the criminality and cruelty of enslaving people, but it also tries to wrestle with the complicated relationships that developed within that awful system. Davis often just lets the actions of people speak for the conflicted loyalties, humanity and inhumanity that resulted from slavery. He allows us to hear from former enslaved people when such texts exist, and lets us reach our own conclusions about why some enslaved people escaped when the opportunity arose and why some did not when the same circumstances existed. He also tries hard to contextualize comments positive and negative that enslavers and the enslaved made.
I also really appreciate his introduction where he lays his own moral judgements on the table, and where he explains why he is so careful to use the word enslaved to describe those held in bondage instead of the word "slave." It is a powerful semantic tool, one which another writer on the history of slavery in the US also uses to great effect.
I'm glad that I read this book. I'm pleased that it is going to be taught in our school. I will definitely recommend it.
Monday, August 14, 2017
Tuesday, August 1, 2017
Talent and Ego
Drawing Blood by Molly Crabapple
New York, NY : Harper, an imprint of HarperCollins Publishers, [2015]
338 p. : ill. (chiefly col.) ; 23 cm.
I added this book to our collection this year since it had received such glowing reviews. Booklist in a starred review stated, "Jaw dropping, awe inspiring, and not afraid to shock....There's no one else like her; prepare to be blown away by both the words and pictures."
I was not so taken with this memoir. Crabapple is a talented and hardworking artist, and she does have a lot of daring and moxie as she jumps into risky adventures of international travel and pushes and pushes to have her intense drawing-based artworks accepted in the competitive New York art world (and she works constantly at improving her drawing and painting skills). So far so good, but her tale is also one of a massive ego, and also one of ethical contradictions where she is both entranced with the debauched world of the super-rich, while at the same time disdainful of it. It's interesting, but problematic.
There is also her use of her conventional attractiveness to both support herself and gain access to the exclusive realms of the super rich. She works as a nude model, works with strippers and burlesque performers - and writes about the interesting, hard, exploitative and dangerous work that entails, but also seems to accept and at times endorse the sexualization and commodification of women. Again, it makes for interesting reading, but it is troubling in that it goes largely unchallenged.
So would I recommend this memoir? Well, I'd definitely mention it to someone curious about contemporary bohemian life and about ways that people make it in the art world. Did I find it inspiring or wonderful? Not so much.
New York, NY : Harper, an imprint of HarperCollins Publishers, [2015]
338 p. : ill. (chiefly col.) ; 23 cm.
I added this book to our collection this year since it had received such glowing reviews. Booklist in a starred review stated, "Jaw dropping, awe inspiring, and not afraid to shock....There's no one else like her; prepare to be blown away by both the words and pictures."
I was not so taken with this memoir. Crabapple is a talented and hardworking artist, and she does have a lot of daring and moxie as she jumps into risky adventures of international travel and pushes and pushes to have her intense drawing-based artworks accepted in the competitive New York art world (and she works constantly at improving her drawing and painting skills). So far so good, but her tale is also one of a massive ego, and also one of ethical contradictions where she is both entranced with the debauched world of the super-rich, while at the same time disdainful of it. It's interesting, but problematic.
There is also her use of her conventional attractiveness to both support herself and gain access to the exclusive realms of the super rich. She works as a nude model, works with strippers and burlesque performers - and writes about the interesting, hard, exploitative and dangerous work that entails, but also seems to accept and at times endorse the sexualization and commodification of women. Again, it makes for interesting reading, but it is troubling in that it goes largely unchallenged.
So would I recommend this memoir? Well, I'd definitely mention it to someone curious about contemporary bohemian life and about ways that people make it in the art world. Did I find it inspiring or wonderful? Not so much.
Monday, July 31, 2017
An Escape to Treasure
Treasure Island by Robert Louis Stevenson
New York : Signet Classics, [2008]
xviii, 204 p. : map ; 18 cm.
I probably wouldn't have read Treasure Island if I hadn't heard it referred to in a New Yorker poetry podcast featuring the poetry editor, Paul Muldoon, and poet, Tom Sleigh, discussing a poem by Seamus Heaney that references Treasure Island. How's that for a convoluted beginning? It wasn't just the discussion, but it was Muldoon's mentioning that he absolutely loves Treasure Island, and reads it frequently. That caught my attention, and so I brought it home with me to read over the summer.
So was it worth reading? Definitely. The novel moves along at a quick pace with skilled plotting and has wonderful characters, too. The admirable young protagonist, Jim Hawkins, the devilish Israel Hands, and the wily and dangerous Long John Silver are unforgettable.
The novel creates the template for pirate fiction, and does it with dash. This is a fun novel that I would definitely recommend to students.
New York : Signet Classics, [2008]
xviii, 204 p. : map ; 18 cm.
I probably wouldn't have read Treasure Island if I hadn't heard it referred to in a New Yorker poetry podcast featuring the poetry editor, Paul Muldoon, and poet, Tom Sleigh, discussing a poem by Seamus Heaney that references Treasure Island. How's that for a convoluted beginning? It wasn't just the discussion, but it was Muldoon's mentioning that he absolutely loves Treasure Island, and reads it frequently. That caught my attention, and so I brought it home with me to read over the summer.
So was it worth reading? Definitely. The novel moves along at a quick pace with skilled plotting and has wonderful characters, too. The admirable young protagonist, Jim Hawkins, the devilish Israel Hands, and the wily and dangerous Long John Silver are unforgettable.
The novel creates the template for pirate fiction, and does it with dash. This is a fun novel that I would definitely recommend to students.
Tuesday, July 25, 2017
His Last Battle
Personal Memoirs of U.S. Grant by Ulysses S. Grant
New York : Barnes & Noble, 2003.
xxx, 820 p. : ill., maps ; 21 cm.
I've been wanting to read this memoir ever since I saw a quote of Mark Twain's praising it as one of the finest pieces of American writing.
The back story of this book (which is told in the introduction of this volume) is also pretty amazing. Retired from the military and from being President, Grant had lost all his money and so set about writing the book to raise money for his family. About the same time he began writing he was stricken with throat cancer and so began his race against death to finish his work. Like his campaigns in the Civil War, he was successful - dying three days after finalizing his manuscript, and making his widow and survivors wealthy with the royalties from his book which ended up being a huge bestseller.
But how is the book? I would agree that it is very well written, and reveals Grant's subtle, but sharp intellect. It is also very interesting to see Grant carefully praising and criticizing some of the generals of both sides. He also has a well argued discussion of why the war was so difficult for the North to win. The only downside for me was that much of the book is taken up with detail after detail of tactics and troop movements. The maps are not very clear or helpful. But aside from these issues, I'm glad I read it and it made me curious to learn more about Grant's presidency - which is not covered at all in the book (and is considered to be one the most corrupt in US history).
Probably one of the most compelling aspects of Grant's life, is that he really was a "nobody," from a modest background and with no early signs of being successful as a leader or tactician. His memoir can serve as a testament to the potentials that are often hidden within individuals - especially those who have not had great successes in their past. In this vein, Ta-Nehisi Coates gives a spirited endorsement of Grant's Memoirs - especially noting the unfounded suggestions that it was written by Mark Twain.
A great historical read, but probably best for students with a keen interest in the Civil War.
New York : Barnes & Noble, 2003.
xxx, 820 p. : ill., maps ; 21 cm.
I've been wanting to read this memoir ever since I saw a quote of Mark Twain's praising it as one of the finest pieces of American writing.
The back story of this book (which is told in the introduction of this volume) is also pretty amazing. Retired from the military and from being President, Grant had lost all his money and so set about writing the book to raise money for his family. About the same time he began writing he was stricken with throat cancer and so began his race against death to finish his work. Like his campaigns in the Civil War, he was successful - dying three days after finalizing his manuscript, and making his widow and survivors wealthy with the royalties from his book which ended up being a huge bestseller.
But how is the book? I would agree that it is very well written, and reveals Grant's subtle, but sharp intellect. It is also very interesting to see Grant carefully praising and criticizing some of the generals of both sides. He also has a well argued discussion of why the war was so difficult for the North to win. The only downside for me was that much of the book is taken up with detail after detail of tactics and troop movements. The maps are not very clear or helpful. But aside from these issues, I'm glad I read it and it made me curious to learn more about Grant's presidency - which is not covered at all in the book (and is considered to be one the most corrupt in US history).
Probably one of the most compelling aspects of Grant's life, is that he really was a "nobody," from a modest background and with no early signs of being successful as a leader or tactician. His memoir can serve as a testament to the potentials that are often hidden within individuals - especially those who have not had great successes in their past. In this vein, Ta-Nehisi Coates gives a spirited endorsement of Grant's Memoirs - especially noting the unfounded suggestions that it was written by Mark Twain.
A great historical read, but probably best for students with a keen interest in the Civil War.
Friday, July 21, 2017
Battle Cry Is Great History
Battle Cry of Freedom: the Civil War Era by James M. McPherson
Oxford [U.K.] ; New York : Oxford University Press, 2003, c1988.
xix, 909 p. : ill., maps, music ; 24 cm.
If you are looking for a one volume history of the Civil War instead of reading five or six separate Civil War histories, then you can't go wrong with McPherson's Battle Cry of Freedom. It's a masterful handling of the war that ripped the US apart for four extremely bloody years. Given the quality and clarity of the narrative, I'm not surprised that the book was a huge bestseller and won the 1989 Pulitzer Prize for History.
McPherson begins his book with the US-Mexican War and builds a sound case for considering enslavement (and the unyielding defense of slavery's expansion and power) as the ultimate cause and fight of the war. McPherson also gives great attention to the cultural and political movements involved before, during and immediately after the Civil War.
It's not a short book (about 900 pages), but it is well written and illustrated with interesting photos and a number of very clear maps.
I read this book this summer as a prelude to reading the Personal Memoirs of U.S. Grant. It was a really helpful preparation for Grant's long work. I would highly recommend it.
Oxford [U.K.] ; New York : Oxford University Press, 2003, c1988.
xix, 909 p. : ill., maps, music ; 24 cm.
If you are looking for a one volume history of the Civil War instead of reading five or six separate Civil War histories, then you can't go wrong with McPherson's Battle Cry of Freedom. It's a masterful handling of the war that ripped the US apart for four extremely bloody years. Given the quality and clarity of the narrative, I'm not surprised that the book was a huge bestseller and won the 1989 Pulitzer Prize for History.
McPherson begins his book with the US-Mexican War and builds a sound case for considering enslavement (and the unyielding defense of slavery's expansion and power) as the ultimate cause and fight of the war. McPherson also gives great attention to the cultural and political movements involved before, during and immediately after the Civil War.
It's not a short book (about 900 pages), but it is well written and illustrated with interesting photos and a number of very clear maps.
I read this book this summer as a prelude to reading the Personal Memoirs of U.S. Grant. It was a really helpful preparation for Grant's long work. I would highly recommend it.
Monday, May 22, 2017
Reasons to Read Not to Watch
Thirteen Reasons Why by Jay Asher
New York : Razorbill, c2007.
288 p. ; 22 cm.
As you can see, Thirteen Reasons Why was published back in 2007, so why am I getting around to reading it ten years later? In one word: Netflix. Back in March, Netflix launched a thirteen episode series based on the novel, and the series has proven hugely popular and controversial - more so than the book.
So I ended up both watching the series and reading the book. I was an interesting experience. It really makes you think about what works in reading - and conversely what doesn't work when filmed. The book is not perfect, but it is strong and it's brevity saves it from becoming voyeuristic, lurid and exploitative - which I believe the Netflix version unfortunately is (in addition to being irresponsible and just plain icky).
But what about the book? I liked the book well enough. The book is clearly a work of fiction - and as such functions more like a mystery, tragedy and psychological ordeal instead of a supposedly accurate depiction of bullying and suicide. Also it's brevity allows it to move along and not drag out scenes for dramatic effect.
I'm guessing many, many more people are going to watch the series. I just hope that especially young people will watch it with supportive friends and adults. Despite its shortcomings, the series does invite discussion of extremely important topics such as bullying, date rate, sexism, and of course, suicide. The popularity of the series has also led to an increased demand for the book, and so I'm glad I had a chance to read it.
New York : Razorbill, c2007.
288 p. ; 22 cm.
As you can see, Thirteen Reasons Why was published back in 2007, so why am I getting around to reading it ten years later? In one word: Netflix. Back in March, Netflix launched a thirteen episode series based on the novel, and the series has proven hugely popular and controversial - more so than the book.
So I ended up both watching the series and reading the book. I was an interesting experience. It really makes you think about what works in reading - and conversely what doesn't work when filmed. The book is not perfect, but it is strong and it's brevity saves it from becoming voyeuristic, lurid and exploitative - which I believe the Netflix version unfortunately is (in addition to being irresponsible and just plain icky).
But what about the book? I liked the book well enough. The book is clearly a work of fiction - and as such functions more like a mystery, tragedy and psychological ordeal instead of a supposedly accurate depiction of bullying and suicide. Also it's brevity allows it to move along and not drag out scenes for dramatic effect.
I'm guessing many, many more people are going to watch the series. I just hope that especially young people will watch it with supportive friends and adults. Despite its shortcomings, the series does invite discussion of extremely important topics such as bullying, date rate, sexism, and of course, suicide. The popularity of the series has also led to an increased demand for the book, and so I'm glad I had a chance to read it.
Thursday, May 18, 2017
Transformative
If I Was Your Girl by Meredith Russo
New York : Flatiron Books, 2016.
280 p. ; 22 cm.
I'm glad I read Russo's book about a transgender teen girl who has moved to live with her father and attend a new high school after bullying and brutal assault at her previous hometown and school.
I think what I loved most is that the book manages to be basically a sweet tale of friendship and romance - while threading that narrow ground of avoiding being either a tale of brutality and violence or a naive upbeat "everything will be okay" fable. As the review from Kirkus notes, it is "a sweet, believable romance that stokes the fires of hope without devolving into saccharine perfection or horrific tragedy."
It's a great book for trans teens, adults and cisgender folks like me!
I also really liked that the author, a trans woman, has an afterword, especially meant for cis readers, where she explains ways in which her story reflects only one version of reality (and a creatively fictionalize one at that), and should not be taken as plain truth guide to what life is like for trans teens. She also includes several hotline resources for readers who may be contemplating suicide.
New York : Flatiron Books, 2016.
280 p. ; 22 cm.
I'm glad I read Russo's book about a transgender teen girl who has moved to live with her father and attend a new high school after bullying and brutal assault at her previous hometown and school.
I think what I loved most is that the book manages to be basically a sweet tale of friendship and romance - while threading that narrow ground of avoiding being either a tale of brutality and violence or a naive upbeat "everything will be okay" fable. As the review from Kirkus notes, it is "a sweet, believable romance that stokes the fires of hope without devolving into saccharine perfection or horrific tragedy."
It's a great book for trans teens, adults and cisgender folks like me!
I also really liked that the author, a trans woman, has an afterword, especially meant for cis readers, where she explains ways in which her story reflects only one version of reality (and a creatively fictionalize one at that), and should not be taken as plain truth guide to what life is like for trans teens. She also includes several hotline resources for readers who may be contemplating suicide.
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