Neanderthal Opens the Door to the Universe by Preston Norton
Los Angeles : Hyperion, 2018.
410 p. ; 21 cm.
This book came highly recommended to me, so I was looking forward to reading it. I have to say that my initial reaction was pretty negative. Ever since Catcher in the Rye, there have been YA authors who have attempted to recreate the sensational and simmering genius of Holden Caulfield in their characters - especially male characters. I felt that Cliff, Norton's hero/anti-hero of this novel, was just too witty and cynical and sarcastic and world weary, etc. It just felt overwrought, and with a bit of too much "bro" energy (the kid LOVES Tarantino movies, need I say more?). But I decided to hang on with the book and it kind of won me over.
First, the plotting is well paced and the characters (though a bit over done) are interesting and fun to watch as the book evolves. The plotting is also creative (a near death experience with a visit from God changes one character completely, a Sermon Showdown is a major event, and surprise revelations are revealed) and make for a fun read. Finally, the book - in spite of some serious "dude" energy, has a lot of heart and delves into some serious questions about life and meaning.
So yes, there is a heavy bit of Neanderthal energy running through this comic drama, but it really does have some surprises and does try to open a door to the universe. It might just appeal to readers who are put off by more staid fare.
It's a book I'll definitely mention to students looking for something different and meaningful. It does have a bit of crude language and some light sexual situations which is a consideration of course.
Showing posts with label suicide. Show all posts
Showing posts with label suicide. Show all posts
Friday, February 21, 2020
Monday, May 22, 2017
Reasons to Read Not to Watch
Thirteen Reasons Why by Jay Asher
New York : Razorbill, c2007.
288 p. ; 22 cm.
As you can see, Thirteen Reasons Why was published back in 2007, so why am I getting around to reading it ten years later? In one word: Netflix. Back in March, Netflix launched a thirteen episode series based on the novel, and the series has proven hugely popular and controversial - more so than the book.
So I ended up both watching the series and reading the book. I was an interesting experience. It really makes you think about what works in reading - and conversely what doesn't work when filmed. The book is not perfect, but it is strong and it's brevity saves it from becoming voyeuristic, lurid and exploitative - which I believe the Netflix version unfortunately is (in addition to being irresponsible and just plain icky).
But what about the book? I liked the book well enough. The book is clearly a work of fiction - and as such functions more like a mystery, tragedy and psychological ordeal instead of a supposedly accurate depiction of bullying and suicide. Also it's brevity allows it to move along and not drag out scenes for dramatic effect.
I'm guessing many, many more people are going to watch the series. I just hope that especially young people will watch it with supportive friends and adults. Despite its shortcomings, the series does invite discussion of extremely important topics such as bullying, date rate, sexism, and of course, suicide. The popularity of the series has also led to an increased demand for the book, and so I'm glad I had a chance to read it.
New York : Razorbill, c2007.
288 p. ; 22 cm.
As you can see, Thirteen Reasons Why was published back in 2007, so why am I getting around to reading it ten years later? In one word: Netflix. Back in March, Netflix launched a thirteen episode series based on the novel, and the series has proven hugely popular and controversial - more so than the book.
So I ended up both watching the series and reading the book. I was an interesting experience. It really makes you think about what works in reading - and conversely what doesn't work when filmed. The book is not perfect, but it is strong and it's brevity saves it from becoming voyeuristic, lurid and exploitative - which I believe the Netflix version unfortunately is (in addition to being irresponsible and just plain icky).
But what about the book? I liked the book well enough. The book is clearly a work of fiction - and as such functions more like a mystery, tragedy and psychological ordeal instead of a supposedly accurate depiction of bullying and suicide. Also it's brevity allows it to move along and not drag out scenes for dramatic effect.
I'm guessing many, many more people are going to watch the series. I just hope that especially young people will watch it with supportive friends and adults. Despite its shortcomings, the series does invite discussion of extremely important topics such as bullying, date rate, sexism, and of course, suicide. The popularity of the series has also led to an increased demand for the book, and so I'm glad I had a chance to read it.
Monday, March 11, 2013
Another Great Graphic Novel
Fun Home by Alison Bechdel
Boston : Houghton Mifflin, 2007.
232 p. : chiefly ill., maps ; 24 cm.
Alison Bechdel has been creating comics for many years for her syndicated Dykes to Watch Out For which has a small but significant following. Her book Fun Home, which had both popular and critical success is likely to bring her work to a much wider audience - something she apparently was not prepared for.
The praise for this work - which calls to mind another standout graphic novel Stitches - is well deserved. It is a rich memoir/graphic novel which is subtle and nuanced as it tells the story of Bechdel's complex, rich, and troubled family of origin - led by parents whose frustrated dreams and repressed sexuality created an intense environment of simmering anger and emotional detachment.
The amazing thing about Fun Home is that in addition to illustrating the conflicts and tensions in her home, Bechdel is able to convey what a rich and tangled upbringing she had. Her father and mother were both aspiring intellectuals/artists and much of the power of her work lies in her ambivalence toward the legacy of her family - and her refusal to either condemn or condone the shortcomings of her parents. Her memoir also deserves praise the ways in which it circles around themes and events the story instead of following a singular straightforward narrative and the ways in which she finds echos of her upbringing in film, myths and novels.
I would highly recommend this graphic novel to students who are interested in a multi-layered, complex coming of age stories and family stories dealing with secrets, conflict and even death - since her father's apparent suicide (possibly an accident) is at the heart of this fine work. The novel does deal with some mature emotional and sexual issues, so it might not be suitable for immature readers.
Boston : Houghton Mifflin, 2007.
232 p. : chiefly ill., maps ; 24 cm.
Alison Bechdel has been creating comics for many years for her syndicated Dykes to Watch Out For which has a small but significant following. Her book Fun Home, which had both popular and critical success is likely to bring her work to a much wider audience - something she apparently was not prepared for.
The praise for this work - which calls to mind another standout graphic novel Stitches - is well deserved. It is a rich memoir/graphic novel which is subtle and nuanced as it tells the story of Bechdel's complex, rich, and troubled family of origin - led by parents whose frustrated dreams and repressed sexuality created an intense environment of simmering anger and emotional detachment.
The amazing thing about Fun Home is that in addition to illustrating the conflicts and tensions in her home, Bechdel is able to convey what a rich and tangled upbringing she had. Her father and mother were both aspiring intellectuals/artists and much of the power of her work lies in her ambivalence toward the legacy of her family - and her refusal to either condemn or condone the shortcomings of her parents. Her memoir also deserves praise the ways in which it circles around themes and events the story instead of following a singular straightforward narrative and the ways in which she finds echos of her upbringing in film, myths and novels.
I would highly recommend this graphic novel to students who are interested in a multi-layered, complex coming of age stories and family stories dealing with secrets, conflict and even death - since her father's apparent suicide (possibly an accident) is at the heart of this fine work. The novel does deal with some mature emotional and sexual issues, so it might not be suitable for immature readers.
Monday, February 11, 2013
Four Teens and a Funeral
Tangled by Carolyn Mackler
New York : HarperTeen, 2011, c2010.
308 p. ; 21 cm.
Mackler is the author of the ever popular and frequently challenged book, The Earth, My Butt and Other Big Round Things - and that is probably the book by her I would have read if a student had not recently turned in Tangled and said, "Mr. Murrey, this was great. You have to read it!"
I read it and enjoyed it quite a lot. It's the story of four teens and the unlikely ways in which their lives come together and in which each of them grows and matures. The springing off event of the novel is a short week trip to a Caribbean island resort where the four of them end up briefly interacting. The rest of the novel takes place in New York state and New York City (and so the picture above of the Sheep Meadow in Central Park).
I'd say the thing that pleased me the most about the book was that I didn't really care for it at first, beginning as it does from the point of view of Jena. She is one of those "teen" characters who is feels just a little too smart, cute (but doesn't think she's cute), and self-aware. But oddly she grows on you and the other characters round out the novel really well - defying the surface stereotypes they seem, and revealing full, evolving human characters in the process. There are some nice plot turns throughout and lots of low key humor. Finally, there is a really tender romance in the book, and who can turn that down?
I'd definitely recommend this book for any readers interested in relationship fiction.
New York : HarperTeen, 2011, c2010.
308 p. ; 21 cm.
Mackler is the author of the ever popular and frequently challenged book, The Earth, My Butt and Other Big Round Things - and that is probably the book by her I would have read if a student had not recently turned in Tangled and said, "Mr. Murrey, this was great. You have to read it!"
I read it and enjoyed it quite a lot. It's the story of four teens and the unlikely ways in which their lives come together and in which each of them grows and matures. The springing off event of the novel is a short week trip to a Caribbean island resort where the four of them end up briefly interacting. The rest of the novel takes place in New York state and New York City (and so the picture above of the Sheep Meadow in Central Park).
I'd say the thing that pleased me the most about the book was that I didn't really care for it at first, beginning as it does from the point of view of Jena. She is one of those "teen" characters who is feels just a little too smart, cute (but doesn't think she's cute), and self-aware. But oddly she grows on you and the other characters round out the novel really well - defying the surface stereotypes they seem, and revealing full, evolving human characters in the process. There are some nice plot turns throughout and lots of low key humor. Finally, there is a really tender romance in the book, and who can turn that down?
I'd definitely recommend this book for any readers interested in relationship fiction.
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