Powerful Debut

Black Girl Unlimited by Echo Brown

New York : Henry Holt and Co., 2020.

294 p. ; 22 cm.

This is a super creative and really well written debut YA novel.  The subtitle of Black Girl Unlimited is The Remarkable Story of a Teenage Wizard, and it's back cover states, it is "Part memoir, part magic" - and these are two good clues to the power of this novel. This is no Harry Potter wizardry, but instead a kind of rare natural/supernatural inheritance of access to the power and mystery of the "in between zone." 

The novel deals head on with hard issues of sexual assault, drug addiction, poverty and crime - but does it in a way that is not despairing, but also not falsely optimistic. The hero of this novel is the main character, Echo Brown (see, there's the part memoir) who is academically talented and motivated. She only gradually realizes that she is a wizard and that her power as one is limited but can grow.  One of the coolest aspects is that as a wizard she can occasionally stop time and use that stopped time to try and influence others for the better.

The novel is a great story of the power of determination, bravery, family ties, intellectual curiosity and bravery in the face of addiction, poverty, racism and violence. 

My only hesitations with the novel (which I was surprised to not see brought up in reviews) are the heavy use of vernacular from characters in her poor neighborhood (including her Mom and brothers). And then there is an unfortunate description of one of the most powerful elderly women wizards as being "a quarter Cherokee on her mother's side" according to everyone in Echo's neighborhood, and who is also said to have "learned all her magic stuff from her grandmother." 

That said, it's a powerful novel about obstacles and triumphs facing a young black girl as she comes of age and gets in touch with her inner strength and power.

     

It's Confusing Down There

The Man Who Lived Underground by Richard Wright

New York, N.Y. : A Library of America Special Publication, [2021] 

 xii, 228 p. ; 22 cm.

When you see that there is a "new" Richard Wright novel out in the world, well of course you have to read it - which is exactly what I did! Apparently this compact novella appeared as a short story, but in its full form was rejected by Wright's publisher. It seems the opening set up of the hero, a Black man named Fred Daniels, being arrested and tortured by police into confessing to a double-murder he's innocent of was just too much.  The scene is still excruciating, but not so shocking in this age of learning about police abuses of power. 

Though this portrayal of racist police violence and terror is horrifying, it serves as the launching off of the main action of the book: Fred Daniels escapes the police and goes to live for a number of days in the sewers beneath the city.  Here he wanders through the maze of the city's underground digging and tunneling into several places where he wrestles with guilt, greed, corruption and disillusion. He is able to peer into a Black church service, view a savings vault, and jewelry storage area. In his isolation and darkness he also begins to become a bit unhinged.

I liked a lot about this book, but I have to say that the movements and the descriptions of the underworld actions of the protagonist are pretty confusing. How he chisels through bricks and squirms into basements is hard to follow. The passage of time is not clear, and extreme changes in the main character make it seem like he is underground for months, when in fact it is only three days. I wish the writing had been a little more exact; I think it would have really added to the power of the book.

These issues aside, the book is also wonderful for including a long essay - "Memories of My Grandmother" - that is an exquisite revelation of Wright's thoughts about his writing, discussing origins, influences, the blues and jazz among other things. It's well worth the read.

I'm glad I read this novella and I will definitely recommend it to any student interested in Richard Wright. 

Bent Twisted Broken

Bent Heavens by Daniel Kraus

New York : Square Fish, Henry Holt and Co., 2021.

1st Square Fish ed. 

291 p. ; 22 cm.      

Pretty much everything I wrote about Kraus' earlier novel, Scowler, applies to this novel. I wanted to like Bent Heavens, but I found it profoundly unsatisfying on several levels. I feel bad being so negative because Kraus explains (in an author's note at the end of the book) that he wrote this as a protest against the torture regime implemented under the Bush-Cheney administration.  It feels odd to dislike this book so much since it got starred reviews in Booklist and School Library Journal. 

The premise of the book is interesting. High schooler Liv's father (a high school English teacher) had a complete mental breakdown years previous when he insisted he was abducted by aliens. Then after being released he actually disappears and has been gone for two years. He left behind gruesome contraptions for trapping said aliens. Liv and her loner friend, Doug, check the traps weekly until one day, they catch an alien! 

Instead of turning the creature in to the authorities, Doug suggests torturing it as a way of both punishing it for what the aliens did to Liv's father and possibly getting it to reveal what happened (it can't speak but can squeal and whimper). There's a lot of gruesome beatings, cutting, and hurting that goes on in a torture shed on Liv's property - and I just NEVER believed Liv would go along with it.  I also think that Doug is that stereotype oddball loner type that supposedly is predisposed to sadism. By two thirds of the way through the book, I had guessed at the "wow" plot twist that ends the novel and so was neither surprised nor moved (unlike reviewers).

Well, obviously I did not like this novel. Instead of the heavy handed torture, a more subtle use of torture like that endorsed by Bush-Cheney would have been more pointed - e.g. forced nudity, sleep deprivation, sensory deprivation, water-boarding, etc.  Also having the alien able to communicate in some basic ways would have been more effective, too. Instead the plot zig zags into the nonsensical and absurd which left me wondering if I even read the same book as the people who starred this mess.

Picture It!

A soldier's sketchbook : the illustrated First World War diary of R.H. Rabjohn by R.H. Rabjohn/John Wilson

Canada : Tundra Books, [2017]     

112 p. : ill. ; 22 x 24 cm.

I'm always interested in WWI, the war that turned the European violence inward instead of outward and ripped the façade off the elegant civilization of Europe at a cost of the deaths of millions of combatants and many civilians.

This WWI book is a special addition to the literature of that "Great War." It consists of the sketches from the war done by R.H. Rabjohn, a soldier from Canada, who saw combat from April 1917 until the end of the war on November 11, 1918. 

It was Rabjohn's official duties as a soldier-sketch artist that allowed him to carry a sketch book (something that was prohibited to other soldiers). He also kept a diary and the author, John Wilson, has done a fine job of organizing the sketches and diary entries into a logical and easy to follow whole.  Doing drafts and support work at the front meant that Rabjohn was frequently in great danger and witnessed first hand the horrors of trench warfare that marked WWI.  

Given its visual appeal, shortness, and direct narrative, this book would be a great way of introducing World War I to teens and hopefully would interest some in wanting to know more about this nation shattering event - the tragic consequences of which continue into the present.

 

     

Piece of My Heart

Janis Joplin: Rise Up Singing by Ann Angel

New York : Amulet Books, 2010.

vii, 120 p. : ill. (some col.) ; 27 cm.

This is another outstanding biography for young people, which again confirms my suspicion that the best biographies are those written for young adults. I'm thinking e.e. cummings, Georgia O'Keeffe, Yoko Ono, etc. One of the strengths is that these biographies are lean and specific - and if (as in the case of this biography of Janis Joplin) they include great photos and graphics then it's hard to put them down.  

I really liked the breezy and yet serious tone of this biography.  Breezy, in that it tries to convey the liberating influence of the times (1960s) and the excitement of a talented woman coming into her own, but serious in following Joplin's struggles with bullying and boredom as a teen, insecurity as a rising star, and addiction as she became extremely famous (addiction that would kill her by overdose as a young woman).

I also enjoyed learning about Joplin's roots in Port Arthur, Texas, and her rise to fame based solely on her natural talent and hard work developing that talent. It's really hard to believe that she did not come from any musical or singing background.  I also appreciated reading about the widespread and fertile cultural landscape of the 60s as cafes, music venues, and coffeeshops proliferated. 

It's a sad story, too, of course as we follow Joplin's phenomenal rise to fame, the encouragement of excesss from fans and the industry, and her battle with alcoholism and heroin addiction - a wicked combination that would prove to be fatal to her when she was still very young.   

It's a super biography that I would recommend. Oh, and the title of this post, is the title of one of her well-known songs.

 

Art Lives!

Shadowshaper by Daniel José Older 

New York, NY : Arthur A. Levine Books, an imprint of Scholastic Inc., c2015.    

297 p. ; 20 cm. 

I had been wanting to read this book for quite a while. I was going to read it during Hispanic Heritage Month, but a students checked out the copies we had (which is great!). So when they came back in I checked it out to myself and read it.

Shadowshaper is the debut novel writers dream of - it was a "Top Ten" on ALA and YALSA lists, a "Best Book of the Year" at NPR and Publishers Weekly, and received stellar reviews, etc. The praise was not undeserved. It's a wonderfully creative novel - undergirded by concerns of ethnic heritage, sexism, gentrification, cultural appropriation - that manages to be a supernatural thriller, urban fantasy, and coming of age story all at once.

At the heart of the story is Sierra a Puerto Rican teen artist/muralist living in Brooklyn. As the story unfolds she learns that her powers are not just artistic, but connected to an age old spiritual power that allows her to bring spirits into her works of art - literally bringing them to life.  This of course would be a ho-hum story without an evil force that seeks to destroy shadowshapers like Sierra so as to gather all that power into himself.  It is a life-and-death danger and Sierra must confront it head on with the help of a another shadowshaping artist - Robbie - and her friends and brother.  The battle between the forces of Sierra and her allies and their nemesis provides the action of the novel.

For some this action will be what draws and holds them in the story.  For me this was the weakest part of the novel. The climactic battle scenes feel like they owe too much action movie staging. I found the most moving parts of the novel were the beginnings of Sierra's understanding of her powers and the descriptions of the art works coming to life, and her meeting with her grandmother's spirit.  But that's me, and I recognize that the gruesome creatures and the bone-crunching fights will be what keeps many readers going right to the satisfying end.

Cold (blooded) War - US Style

The Jakarta Method by Vincent Bevins

New York: Public Affairs, c2020, 2021.

ix, 340 pages : illustrations ; 21 cm  

It's hard to say whether US citizens have very short memories or face such a powerful propaganda apparatus that it takes a bit of hard work and (soul-crushing honesty) to learn the dirty truths of US history and foreign policy. Considering this, books like The Jakarta Method are wonderful (and painful) antidotes to the flood of official misinformation and willful forgetting that plague the US. 

How many US citizens realize that their government actively helped and encouraged the slaughter of about 1 million unarmed, harmless, and law-abiding civilians in Indonesia in 1965 because of their actual or alleged connections to the completely legal and open communist party of Indonesia.  And how many people who know of this vaguely or in more detail, know that it set the pattern for US sponsored/supported ruthless attacks on civilians in Asia, Africa, Central and South America? Bevins does a remarkable job of pulling together this lethal history from the overthrow of Iran to the rise of the extremist president Bolsonaro in Brazil. The reader learns about the deep connections of the Indonesian slaughter with slaughter and atrocities in Brazil, Guatemala, Angola, Vietnam and other states. The numbers and cruelty are truly appalling.

Bevins also does a good job in scoping out to consider the profound effects that such widespread and cold-blooded killing has had in shaping the world we live in now.  He questions what it means to "win" the Cold War when the means were so depraved and terrible.  He wonders about what kind of world we might live in if the pro-democracy, constitutional parties that leaned left or opposed US hegemony had been allowed to survive. Would we see the same appalling wealth inequalities that plague the world, would the rule of law be stronger, and would there be better human rights protections today? 

His book is profound and timely as both in the US and abroad many leaders are encouraging authoritarian rule and promoting lies and violence as a way to preserve their power.

It is a book I highly recommend.