Tuesday, April 27, 2021

Boldly Going


This is What I Know About Art
by Kimberly Drew
New York : Penguin Workshop, [2020]
63 p. ; 16 cm. 

This short, little book packs a punch!  I'm always on the lookout for small books that I can drop for a student, hoping that the size and design will not scare them off.  This is one of those.

I had no idea what to expect from this book, but it was a pleasure and an education.  The book is essentially the art-map story of Kimberly Drew's journey from from being a financially pinched and very smart (but unknown) Black college student who feels the pressure to pursue a "realistic" major (e.g. architecture, engineering, medicine) even though what she loves is art.  On the recommendation of a professor, she applies for and lands an internship at the Harlem Studio Museum that changes her life and launches her on the way to become a force in the art world.  

The only drawback of this book is that it lacks an index and has no photographs/illustrations to accompany all the amazing artwork Drew introduces to the reader. And there is A LOT of art she discusses and most of it is stunning, and not widely known.  If she ever puts together a YA book of these artists and their works, I'll buy it in a heartbeat.  

To help me (and you if you're reading this) find/remember the artists she touches on I'm diverging from my usual review and posting the following list of art/artists/collectives in the order that they come up in the book.  Where possible, the first reference is to Drew's Tumblr - Black Contemporary Art.  Just a glance there will show you how superb many of the artists she highlights are!

Any omissions or link/spelling mistakes are mine. I hope you'll read her little book and visit her big world of activism and art.  You won't be sorry.
___________________________________________________________

Glenn Ligon - https://blackcontemporaryart.tumblr.com/search/Glenn+Ligon
http://www.glennligonstudio.com/
 
Jean-Michael Basquiat - https://blackcontemporaryart.tumblr.com/search/Jean-Michael+Basquiat
https://www.thebroad.org/art/jean-michel-basquiat (Los Angeles)
 
Trenton Doyle Hancockhttps://blackcontemporaryart.tumblr.com/search/trenton+doyle+hancock
https://www.jamescohan.com/artists/trenton-doyle-hancock
 
Lorna Simpsonhttps://blackcontemporaryart.tumblr.com/search/lorna+simpson
https://lsimpsonstudio.com/
 
Jamel Shabazzhttps://blackcontemporaryart.tumblr.com/search/jamel+shabazz
https://www.annenbergphotospace.org/person/jamel-shabazz/
 
Samuel Fossohttps://blackcontemporaryart.tumblr.com/search/samuel+fosso
https://www.walthercollection.com/en/collection/artists/samuel-fosso
 
Nick Cavehttps://blackcontemporaryart.tumblr.com/search/nick+cave
https://jackshainman.com/artists/nick_cave
 
Mickalene Thomashttps://blackcontemporaryart.tumblr.com/search/mickalene+thomas
https://nmwa.org/art/artists/mickalene-thomas/
 
Stephen Wiltshirehttps://blackcontemporaryart.tumblr.com/search/Stephen+Wiltshire
https://www.stephenwiltshire.co.uk/
 
Coco Fuscohttps://blackcontemporaryart.tumblr.com/search/coco+fusco
https://www.cocofusco.com/
 
Guillermo Gómez-Peñahttps://www.guillermogomezpena.com/
 
Creative Time - https://creativetime.org/
Felix Gonzalez-Torres’ “Untitled” – https://creativetime.org/projects/untitled-1995/

Black Lives Matter at Black Contemporary Arthttps://blackcontemporaryart.tumblr.com/search/Black+Lives+Matter


Wednesday, April 21, 2021

Misrule of Law


They Called Us Enemy
by George Takei [also Justin Eisinger and Steven Scott ; art by Harmony Becker]
Marietta, GA : Top Shelf Productions, [2019]
204 p. : chiefly ill. ; 23 cm.

This graphic novel is a super addition to books on the internment/incarceration of Japanese Americans during WWII.  As most people know, Pres. Roosevelt (FDR) ordered the seizure and imprisonment of Japanese Americans shortly after the Japanese attack on Pearl Harbor which officially launched the US into the Second World War.  This act was clearly racist, unconstitutional and immoral - though it took about 40 years for the US government to admit it was wrong and pay restitution to survivors.  It took even longer for the Supreme Court to condemn (in 2018) its complicity in this crime (re the Korematsu ruling of 1944).  All this is covered in the book, but the heart of the book is in Takei retelling the story from the viewpoint of a child experiencing his family's ordeal of being arrested, transported and imprisoned in two different internment camps.

The child's viewpoint is in fact Takei's. He was about 5 years old when his family was ordered out of their Los Angeles home and deported by train to Arkansas.  He captures the innocence of a young child taking in much of the experience as a grand adventure though being confused at the crying and hushed whispers of the adults. The book is also strengthened by the life of George Takei who was one of the original stars of Star Trek and who is currently a significant online personality with millions of followers on Facebook and Twitter.   

I learned a lot in this book.  It was especially painful to see how parents tried to figure out what was best to keep their families safe - as when loyalty oaths were offered to the detainees and some out of conscience refused to sign them.  He also gives kudos to both the young Japaneses American men who chose to enlist and fight in the war and to those who refused and were imprisoned at Leavenworth. 

I thought the book was really tight up until the very end. It felt a little jumpy and didactic in the last 20 pages or so as Takei keeps trying to hold up the successes of the US system of government when it finally confronts this injustice.  That being said, it is a powerful and moving book and I would highly recommend it.
     

Friday, April 16, 2021

Rise Above It


Eiffel's Tower for Young People: the Story of the 1889 World's Fair
by Jill Jonnes ; adapted by Rebecca Stefoff.
New York : Triangle Square, 2019.
xi, 354 p. : ill. ; 21 cm.

World's Fairs offer excellent subject matter for history writers.  Think of Eric Larson's macabre and fascinating bestseller about the Chicago World's Fair of 1893. World's Fairs offer a glimpse into the way the dominant culture/s of the time viewed themselves, including who and what was celebrated.  The fairs featured extravagance, spectacle, celebrities and adventure.  The 1889 Paris World's Fair was no exception.  There were bitter rivalries between artists, the spectacle of the Buffalo Bill's Wild West show, a hall of inventions, superstar guests like Thomas Edison, and international rivalries, too. Above all there was the now iconic Eiffel Tower at the center of it all - and at the center of this accessible history - an adaptation for younger readers of Jill Jonnes' Eiffel's Tower

I like that this adaptation of Eiffel's Tower moves chronologically, but also builds on storytelling by giving ample time to central characters in the fair: Gustave Eiffel (of course), Buffalo Bill Cody, Annie Oakley, Thomas Edison, the painters James Abbott McNeill Whistler and Paul Gaugin.  Vincent Van Gogh even gets a mention.  Yes, so much was happening at that moment in history.

The book also presents the racism & colonialism running through the fair - exhibits of "model villages and streets" of Frances colonies and targets for colonization. The book also lightly touches on the contradictions of Buffalo Bill's Wild West Show whose company included many Sioux Indians who Cody treated well as workers, but who were also part of the propaganda of the show celebrating the "taming of the US west." 

I'd recommend this book for any student interested in history, especially late 19th century history - a fascinating time when Europe dominated the world not long before descending into the murderous self-destruction of WWI, a period covered in much more detail by Barbara Tuchman in The Proud Tower.   
     


Tuesday, March 30, 2021

Roadtripping the Past and the Present


In the Footsteps of Crazy Horse
by Joseph Marshall III
New York : Amulet Books, [2015]
165 p. : ill., map ; 21 cm. 

This is a little gem of a book! I love a brief, emotional and enlightening book.  Marshall succinctly retells the story of Lakota Indian and warrior, Ta-sunko-witko - known more commonly as Crazy Horse.   

Marshall embeds the story of Crazy Horse within the story of Jimmy, a contemporary eleven-year-old Lakota boy growing up in South Dakota.  This boy has light hair and blue eyes and so is teased and bullied by a couple of classmates.  During the summer his beloved grandpa takes him on a road trip through South Dakota, Nebraska, Wyoming, and Montana - tracing places in the life of Crazy Horse which the grandpa fills in with storytelling.  As he teaches Jimmy about Crazy Horse's great character and courage,  he also notes that Crazy Horse also was known as "Light Hair" when he was young - something that connects him with Jimmy.

As they trace the places important in the life of Crazy Horse - Nebraska near Ash Hollow State Park, Forts Laramie and Reno in Wyoming, and battle sites like the Hundred in the Hands (Fetterman Fight) in Wyoming and the renowned Battle of the Little Bighorn (Battle of the Greasy Grass) in Montana. They even visit Fort Robinson in Nebraska where Crazy Horse surrendered and was murdered

Within all this history, is a lovely story of an elder passing on his knowledge to his grandson.  The grandfather, a Vietnam veteran, is clear-eyed about the cruel nature of war and battle, and also keenly aware that courage also means protecting the vulnerable and those you love.  By the end of the story, Jimmy is starting a new school year and - though fearful of the bullies - has a newfound strength in confronting them.

I definitely recommend this novel.

    

Friday, March 26, 2021

13 in 13


Kent State: Four Dead in Ohio
by Derf Backderf 
New York : Abrams ComicArts, 2020.
279 p. : chiefly ill., maps ; 27 cm.

Meticulously researched and passionately drawn and retold, this graphic novel account of the Kent State Massacre of May 4, 1970 is superb.  This is a great book for bringing a tragic history alive.  Having known about the Kent State killings for decades, I was surprised by how much I learned and by the emotional power of Backderf's storytelling.      

In Backderf's graphic novel about the serial killer Jeffrey Dahmer he centers it around his actually being a high school "friend" of Dahmer.  In Kent State, Backderf opens the book with a personal touch: his childhood memories of Ohio National Guard troops being used near his hometown to crush a Teamster's strike in the days before they were sent on to the Kent State campus where they wounded and killed 13 people in just 13 seconds. 

In this retelling Backderf manages to recreate the personal lives of significant figures in the Kent State tragedy.  We learn about student life on campus, radical activists, the peace movement, the culture of the college town, and the utter incompetence and immorality of political and military leadership at the time - leadership that was willing to kill, lie, and cover-up.  In the aftermath of the massacre, leaders lie about the protesters, the culpability of the men who fired on the students, and the leaders who gave the orders (one officer, Capt. Ronald J. Snyder even lied under oath about finding a gun on one of the students killed).  

I would highly recommend this book to any adult or young adult.  There is a lot to think about and learn from this terrible event of 1970.  In addition to the carefully structured story and illustrations, Backderf also includes copious notes at the back of the book that fill out information and indicate the pages in the novel that they refer to. 


Monday, March 22, 2021

This Will Be Your Final Notice


They Both Die at the End
by Adam Silvera
New York, NY : Harper Teen, an imprint of HarperCollinsPublishers, [2017]
373 p. ; 22 cm.

Adam Silvera has a brilliant set up for his novel. The time is the near future, but in his future, people receive a cell phone notice shortly after midnight on the day they are going to die.  The notifications are handled by a company, Death Cast, and "Deckers" - recipients of the call - are given no details about how, or how many hours they have left, but only that they will die on that day (and there is no recourse or escaping one's fate).  In this world - set in New York City - Deckers can use an app called Last Friend so they don't have to spend their last day alive alone or utterly lonely.  

So what happens if the Deckers are young, say seventeen or eighteen years old? That's what this novel is all about.  Two young men - one orphaned and troubled, and one with only one parent who is very ill and in a coma - connect on the Last Friend app and push each other to live their last day to the fullest and to really embrace the person they are.  They develop a deep attachment in the short time they have and compliment each other well.  It's a well developed novel and holds up well.

Often I'll find a novel that has a great premise (like this one does) but the author just can sustain it throughout or doesn't finish it in a way that is satisfying.  Silvera delivers on both these counts, and manages to deliver a really poignant and thought-provoking read in the process.  I really appreciated it. 

For me the weakest part of the novel was the opening act of physical violence committed by one of the main characters.  I think it was meant to convey his troubled and angry recent life, but it was jarring for me and left me alienated from the main character.  There are continuing issues that come up with him and his victim that also detracted from the overall read (for me).  In spite of this (and some readers may actually like this aspect of the book) I found the book a solid read. It has great pacing, character development and emotional power.  I would definitely recommend it to a young adult reader.  

Friday, March 5, 2021

Particle Detector


Americanah
by Chimamanda Ngozi Adiche
New York : Anchor Books, a division of Random House LLC, 2014.
588 p. ; 21 cm.     

The thing I loved about Chimamanda Ngozi Adichie's Americanah is the author's ability to subtly recreate in her fiction those nuanced threads of race, identity, class, politics (and longing) that make up the patchwork of cultures in a country.  It makes me think of the way that scientists sometimes identify invisible particles by studying their tracks.  

When her main character, Ifemelu, is in New Haven with her Black Yale professor partner the reader can feel the bubble of intellectual snobbery and conformity that one often encounters around academics. Adiche does this while also describing the overarching issues of racism that define the US.  When her main character is back in Nigeria, Adiche's immerses us in a world of crass materialism, pretension, and the endless/meaningless pursuit of wealth. 

There is so much one could say about this novel.  It touches on issues of race, wealth, internationalism, immigration, romance, family, corruption, and appearance v. reality.  Adiche does all this while also telling a great tale of young love, exile, disillusion, return, and love pursued. It's a long read, but a great tale.  This is a book that I could see recommending to students who know of Adiche through her short book, We Should All Be Feminists. I also would recommend it to students interested in fiction about contemporary African life since much of the novel occurs in Lagos, Nigeria.