Exciting Colonial History, Really

Igniting the American Revolution: 1773 - 1775 by Derek W. Beck
Naperville, Ill. : Sourcebooks, [2015]
xi, 467 p. : ill., maps ; 24 cm.

I ended up reading this book when I found it searching our UHS eBook account on my phone (and remembered that I had purchased the book for our library during the year.)  I am pretty ignorant on early US History and woefully uninformed about the US Revolution, and so I thought this would be a good place to start.  It was a good choice.  Beck clearly loves his material and brings the real grit and details of the years 1773-1775 to life.

I learned several things right off that I had not really gathered from the history I was taught in school.  The battles of Lexington and Concord were terrible and grueling affairs for both the British forces and the American rebel militias.  I just never realized how long the battle went on and how far the British had to march under withering and mobile gunfire as they tried to get from Concord back to Boston.  Also I had always learned that the British fought traditionally (in silly lines and formations) while the Americans used a more lethal guerrilla style of attack - well, sort of, but not really.  During the French Indian-War (or the Seven Years War) the British learned how to fight guerrilla war.  During the march to and from Concord the British deployed light infantry roving attack groups to flush out, counter and destroy American ambushes on their main column, BUT they ran out of ammunition and were simply outnumbered and exhausted.

The thing I most enjoyed is that you could really appreciate the appalling risks that the rebels were taking and knew they were taking in violently breaking British law.  I also like that though Beck acknowledges that he considers himself a patriot and partial to the American cause, he is able to be very even-handed and shows the rashness and brutality of the burgeoning US radical movement - in addition to the block-headed policies and decisions being made by Parliament and the the Crown back in England.

I'll recommend this to any student wanting to read a good book about the lead up to the American Revolution. 

Amazing Amazing

The Amazing Adventures of Kavalier & Clay by Michael Chabon
New York : Picador, c2000.
639 p. ; 21 cm.

Michael Chabon's novel won a 2001 Pulitzer Prize and I challenge a reader to not enjoy this  wonderful tale.  It's a gloriously written tale of the starting in the late 1930s and continuing into the 1950s and centers on the golden age of comic books in New York City, but also embraces the Holocaust, Harry Houdini, The Golem of Prague, Brooklyn, gay life, and of course love, friendship and family.

Though we have this book in the UHS library collection, I read it on my cell phone - accessing it through our library's eBook collection.  It's not the first book that I've read on my phone, but it was great to be able to carry it around in my pocket while traveling during the summer.

Fortunately, The Amazing Adventures seems to be doing quite well.  I looked for a copy at my local public libraries and all 6 copies were checked out.  It's a great book and I will definitely recommend it to any student looking for a rewarding literary fiction read from a contemporary author - especially a reader who has an interest in world of comic book writing and publishing back when vast majorities of young Americans regularly read comic books. 

Harsh Life - Lush Art

Black Boy by Richard Wright
New York : HarperPerennial ModernClassics, 2006.
xiv, 419, 14 p. : ill. ; 21 cm.

One of the joys of being a librarian is walking the stacks and seeing a book that keeps calling out to you, "Read me." It must have been about 8 or 9 years ago that I finally read Wright's stunning 1940 novel, Native Son.  Since then his autobiography has been sitting on the shelf demanding to be read, and so I finally have done it.  It is amazing!

What I loved about Wright's book is the way it puts you completely in the mind and heart of a young African American male growing up in the Jim Crow south in the early twentieth century.  It's especially interesting in that Wright is never able to learn to hide his thoughts from white people - even when he tries, and he realizes that - in the racist South - could easily cost him his life.

It is also a wonderful book for anyone who is an artist or loves art, but really has no idea why.  There are times as a boy, where he writes just for the sheer delight of using language.  It is something that almost none of his peers understands or appreciates.  The book is also tribute to the stubborn grace of someone clinging to his integrity while being threatened by the larger society with its violent racism, and his more intimate social circle where his assertion of his right to think independently is ridiculed and punished by teachers, guardians, religious people, and family.

The book breaks down into two major sections - his life in the Jim Crow south (Arkansas, Mississippi, Tennessee) and his move to Chicago where he gets involved in the heavily Stalinist, intellectually repressive Communist Party.  Both sections are very interesting, but my guess is that many students would especially like the first half.

I would definitely recommend this book to students.  It is a fascinating, well written book.

Yum

A Moveable Feast by Ernest Hemingway
New York : Scribner, 2010.
xvi, 240 p., [14] p. of plates : ill., ports., facsimiles ; 23 cm

I've wanted to read this book for a while, especially since I added this new "restored edition" to the collection about five years ago, to replace our very old edition that was first published posthumously in 1964.

It is not a single narrative (or meal) but more like a buffet of Hemingway's Paris between the wars with interesting sections touching on writers such as Fitzgerald, Joyce, and Stein; living conditions for expats, early marriage, fatherhood, and the work of a struggling writer moving from journalism to fiction.

Some might find the discontinuous nature of the sections off-putting, but I found it quite wonderful.  Each section is interesting in its own right, and the collection as a whole leaves you satisfied, but curious for more Hemingway.

I would definitely recommend this book for any student interested in Hemingway, or in literary Paris in the 1920s.

Less Loathing Please

Fear and Loathing in Las Vegas by Hunter S. Thompson
New York : Modern Library, 1996, c1971.
vii, 283 p. : ill. ; 21 cm.

I've seen Matt Taibbi referred to as an "heir" to Hunter Thompson's Gonzo journalism. I like Matt Taibbi and so I figured I'd take a stab at Thompson's Fear and Loathing. I also have had students interested in this book, and so I gave it a go. 

I probably read about 2/3 of the book and found it ok, but honestly a bit too hyper-masculine for my taste.  A lot of it reads like an extended brag about what an out-there, iconoclastic, mega-drug-abusing, cynical, passionate and alienated journalist Thompson is.  He loves both being immersed in US pop and consumer (and tourist) culture, all the while holding it in contempt and disdain.  It's good for a while, but maybe I just don't feel terribly moved by it.  I also think some of the power of Thompson was its shock value in the early 1970s and its rather gritty nastiness being a reflection of the even more obscene official business of the United States political system both in Vietnam and at home under the Nixon illegality.

Read it?  Sure, if you want a sampling of the 1970s tough guy anti-establishment journalism of the day.  Recommend it?  I probably won't, unless someone is looking for it.

Big Hopes for the Very Tiny

The Quantum Age by Brian Clegg
London : Icon, 2015.
vi, 282 p. : ill. ; 20 cm.

I'm not sure why Clegg's Quantum Age just didn't hit the sweet spot for me.  I like science and I like trying to wrap my mind around quantum concepts. I guess that there were several concepts that I never felt were covered well enough, and therefore when they'd get referred to later - I'd find myself still somewhat confused.  Some of these important concepts were tunneling, superposition, decoherence, entanglement, and Cooper's pairs (electrons).

I still muddled through the book and found parts of it interesting enough. The book does help the reader see not only how quantum physics underlies many day to day processes - for example anything involving light - but how modern science has applied it's knowledge of quantum physics to create computing as we know it, and such medical technologies as MRIs. He also points toward the many potential breakthroughs that seem to be on the horizon - practical superconductivity, quantum computing, and advanced encryption to name just some.

I'm glad I read the book, but I can't say it is one that I'll be highly recommending.  I wouldn't discourage a student from checking it out, but I'll definitely be on the lookout for something that I find even better.    

I Think I'll Skip the Movie

Yellowstone River

The Revenant by Michael Punke
New York : Picador, 2015.
262 p. : maps ; 21 cm.

Given that the movie version of this book was critically acclaimed, I decided to give it a read.  I'm glad I did.   It's not a great book, but it is a good one.  Punke has taken the mostly true story of Hugh Glass, an 1823 frontiersman, and fictionalized it into a solid revenge and survival tale.

I found The Revenant a compelling read, hard to put down, as Glass manages to survive harrowing experience after harrowing experience.  Beginning with his near fatal mauling by a grizzly to his almost being killed in an ambush toward the end of the novel, Glass is a fascinating figure - damned to experience shocking pains and injuries, and yet charmed in that he always walks away from them a survivor.  The revenge aspect was less interesting to me.  Part of what fuels Glass' survival is his determination to live and bring retribution to the men charged with watching over him, who instead robbed and abandoned him.  It's not a noble pursuit, but it feels realistic.

Along the way, there is some subtle and fascinating changes in Glass' attitudes about satisfying his desire for revenge.  But the power of the novel lies in Glass' remarkable skills, grit and ability to make quick and risky decisions that ultimately save his life.

The movie on the other hand, seems to have opted to bump the violence levels up several notches and to make revenge and gore the heart of the film - "pain porn" one reviewer calls it.  I think that's too bad, since in a more compassionate director's hands the film really could have wrestled with the troubled spirit of the frontiersmen and the ultimate emptiness of revenge attained.  That is at the heart of Punke's novel and is why I'll stick with the book and let others suffer through the film.