The Inexplicable Logic of My Life by Benjamin Alire Sáenz
Boston : Houghton Mifflin Harcourt, [2017].
445 p. ; 22 cm.
Yes, it's kind of a long book (logging in at over 400 pages) but it reads pretty easily and it really is a lovely book to read. A cursory description of the book (teen with dead mother has loving gay adoptive father, smart snarky female friend who loses her mother, and homeless friend who loses his mother, all set in a Mexican American family setting in El Paso) might make it seem like a parody of the YA realistic problem novel, but it is a lot more than that.
The novel is definitely a bildungsroman centering on Sal, the boy whose mother died when he was three and who left him in the care of her wonderful gay friend, the painter Vincente who raises him. Sal has to deal with changes in him that happen during his senior year. Who "really" is he? What is this new anger that causes him to punch out a couple of bigots and homophobes? How will he cope with the loss of his beloved aunt Mima who is old and dying. And what about his friend Sam - who is very smart and ambitious, but only dates crummy "bad" boys? And theirs Fito, too, Sal's friend who lives with an addict mother - is studious and saving up for college - and ends up homeless? Yes, it's a lot and yet, Sáenz manages to spin out his novel as if he's just telling you the true story of his own life.
There is so much heart in this novel. Several passages really did get me teary, especially the depth of friendship between the teens and the depth of parental love from Sal's father. As a Kirkus review states, this book is another "stellar, gentle look into the emotional lives of teens on the cusp of adulthood."
In this year of bigotry, racism, presidential vulgarity, and government-inspired hatred of immigrants, reading this novel felt like a spa-vacation for my heart and a retreat for my mind.
Yes, I would recommend it!
Monday, December 31, 2018
Friday, December 28, 2018
Wolves Where?
A Dog in the Cave: The Wolves Who Made Us Human by Kay Frydenborg
Boston : Houghton Mifflin Harcourt, 2017.
ix, 246 p. : ill. (some col.), maps (some col.) ; 24 cm.
The details (pages, illus, etc) above are for the print version which we have in our library, though the version I read was the eBook edition through the Axis360 collection that our library provides. Yes, that means I read it on my little cell phone - and it's not a bad experience.
This book offers a lot to think about. Probably the most interesting thing about A Dog in the Cave, is how it really got me to see how incredibly unique the human-dog relationship is in the history of animals on the planet. Here the author introduces us to the mutually beneficial relationship between two sentient apex-predators and how that relationship has shaped - though evolution - who we both are. It's a pretty crazy thing to think about.
A for instance? Well, consider that humans and dogs both experience the endorphin pleasure in their brains from gazing at each other. Or consider that unlike the extremely intelligent wolf, only dogs can solve a guessing game by following the glance cues of humans. Essentially, Frydenborg is arguing that by entering into a cooperative alliance with humans some 40,000 years ago the original wild proto-dog wolf began evolving traits that made it more suitable to be with humans, AND humans began evolving traits that make us ideal companions to dogs. Pretty neat stuff.
There's a lot of ground that gets covered in this book and anyone interested in dogs, paleontology, evolution or human-animal relationships will find something to enjoy here.
Boston : Houghton Mifflin Harcourt, 2017.
ix, 246 p. : ill. (some col.), maps (some col.) ; 24 cm.
The details (pages, illus, etc) above are for the print version which we have in our library, though the version I read was the eBook edition through the Axis360 collection that our library provides. Yes, that means I read it on my little cell phone - and it's not a bad experience.
This book offers a lot to think about. Probably the most interesting thing about A Dog in the Cave, is how it really got me to see how incredibly unique the human-dog relationship is in the history of animals on the planet. Here the author introduces us to the mutually beneficial relationship between two sentient apex-predators and how that relationship has shaped - though evolution - who we both are. It's a pretty crazy thing to think about.
A for instance? Well, consider that humans and dogs both experience the endorphin pleasure in their brains from gazing at each other. Or consider that unlike the extremely intelligent wolf, only dogs can solve a guessing game by following the glance cues of humans. Essentially, Frydenborg is arguing that by entering into a cooperative alliance with humans some 40,000 years ago the original wild proto-dog wolf began evolving traits that made it more suitable to be with humans, AND humans began evolving traits that make us ideal companions to dogs. Pretty neat stuff.
There's a lot of ground that gets covered in this book and anyone interested in dogs, paleontology, evolution or human-animal relationships will find something to enjoy here.
Monday, December 10, 2018
It's Complicated
Frida & Diego: Art, Love, Life by Catherine Reef
Boston : Clarion Books/Houghton Mifflin Harcourt, 2014
168 p. : ill. (some col.) ; 26 cm.
Most people have some passing familiarity with the art of Frida Kahlo and Diego Rivera, but this is one of those great non-fiction books for young adults that really expands the range of information about these two stunning Mexican painters.
The book is richly illustrated with photos and includes back matter featuring a nice selection of famous works by the two artists. The back of the book also includes a timeline and copious notes by the author.
I really loved how this book does not condescend to young adults and manages to objectively convey the very unconventional nature of Rivera and Kahlo. The book also skillfully conveys the artistic excellence of both artists - showing that Rivera was definitely more famous, prolific and well paid, while Kahlo was truly both a skilled (and self-taught) and truly original painter. The book conveys the deep and complex love that existed between these two as they married, split up, and eventually remarried.
I also appreciated that Reef was able to honestly portray what a sexist user Diego Rivera was, but she also conveys the poignant tenderness that he held for Frida, and the deep bond between them.
"Stuck in the hospital [1950], Frida missed seeing Diego receive the National Prize for Plastic Arts....She saw her husband often, though, because he took the room next to hers, to be nearby at night. Diego's presence comforted Frida like nothing else. He read poetry to her and rocked her to sleep. About once a week he brought in a borrowed movie projector and showed her the old Laurel and Hardy films....he did whatever he could think of to lighten her mood, even if he had to shake a tambourine and dance around the room, or roar like a bear with his arms raised and fingers curved like a claws." (p.101)
I would definitely recommend this book to any student interested in knowing more about Frida Kahlo or Diego Rivera... or both!
Boston : Clarion Books/Houghton Mifflin Harcourt, 2014
168 p. : ill. (some col.) ; 26 cm.
Most people have some passing familiarity with the art of Frida Kahlo and Diego Rivera, but this is one of those great non-fiction books for young adults that really expands the range of information about these two stunning Mexican painters.
The book is richly illustrated with photos and includes back matter featuring a nice selection of famous works by the two artists. The back of the book also includes a timeline and copious notes by the author.
I really loved how this book does not condescend to young adults and manages to objectively convey the very unconventional nature of Rivera and Kahlo. The book also skillfully conveys the artistic excellence of both artists - showing that Rivera was definitely more famous, prolific and well paid, while Kahlo was truly both a skilled (and self-taught) and truly original painter. The book conveys the deep and complex love that existed between these two as they married, split up, and eventually remarried.
I also appreciated that Reef was able to honestly portray what a sexist user Diego Rivera was, but she also conveys the poignant tenderness that he held for Frida, and the deep bond between them.
"Stuck in the hospital [1950], Frida missed seeing Diego receive the National Prize for Plastic Arts....She saw her husband often, though, because he took the room next to hers, to be nearby at night. Diego's presence comforted Frida like nothing else. He read poetry to her and rocked her to sleep. About once a week he brought in a borrowed movie projector and showed her the old Laurel and Hardy films....he did whatever he could think of to lighten her mood, even if he had to shake a tambourine and dance around the room, or roar like a bear with his arms raised and fingers curved like a claws." (p.101)
I would definitely recommend this book to any student interested in knowing more about Frida Kahlo or Diego Rivera... or both!
Monday, November 5, 2018
Bullish on Mythology
Bull by David Elliot
Boston : Houghton Mifflin Harcourt, [2017]
185 p. ; 22 cm.
This Bull gives you a wild ride! It's a whip-smart retelling of the Minotaur myth, told in structured poetic forms but with the tone and attitude of hip-hop.
Well, it's a pretty bizarre myth to begin with - a king slights Poseidon who causes his wife to fall for a bull and she ends up giving birth to a half-human, half-bull monster. Elliot runs with it with a bit of street language that might be too rough for middle-schoolers but should intrigue high-schoolers.
At the end of the book he explains the various poetic forms he used for each character - it's a study in prosody worth reading.
It's not a book for every taste, but I'll recommend it to students looking for something mythology based or who like hip-hop influenced writing.
Friday, October 19, 2018
Gruesome Transformations
Nightstruck by Jenna Black
New York : Tor Teen, a Tom Doherty associates book, 2016.
302 p. ; 22 cm.
This was an exciting, creative, and very readable paranormal, horror novel. The hero of this tale, Becket, unwittingly becomes the bridge to a portal to evil forces, allowing them to enter the regular world and wreak havoc in Philadelphia. At sunset inanimate objects come to life inflicting injury and death on anyone caught outside. People are safe from these terrifying "constructs" as long as they are indoors, but some of the people caught outside become Nightstrucks - accomplices to the forces violence and mayhem taking over the city at night - and they can enter homes and do violence.
The novel builds in horror and suspense as it goes on, claiming surprising victims and pitting the hero of the novel against her best friend who has become one of the Nightstruck. The hero also gets to find romance in this terrible time, so all is not bad...
However, the novel has a few problems, that remain unanswered. The above mentioned best friend is unlikable before her transformation, and absolutely horrid afterward - and yet the hero of the novel just can't seem to fully reject her. Also one has to wonder why the supernatural horror is limited to the boundaries of Philadelphia?
Problems aside, the novel is exciting and keeps one's attention. Its ending is pretty surprising and clearly invites a sequel. The reviews of the sequel are not very good, and I started it and had to agree that the first few pages were pretty bad. Maybe the author should have let it end at one installment, but my guess is that she was under pressure to drag it out into at least a trilogy and maybe more, which is too bad.
New York : Tor Teen, a Tom Doherty associates book, 2016.
302 p. ; 22 cm.
This was an exciting, creative, and very readable paranormal, horror novel. The hero of this tale, Becket, unwittingly becomes the bridge to a portal to evil forces, allowing them to enter the regular world and wreak havoc in Philadelphia. At sunset inanimate objects come to life inflicting injury and death on anyone caught outside. People are safe from these terrifying "constructs" as long as they are indoors, but some of the people caught outside become Nightstrucks - accomplices to the forces violence and mayhem taking over the city at night - and they can enter homes and do violence.
The novel builds in horror and suspense as it goes on, claiming surprising victims and pitting the hero of the novel against her best friend who has become one of the Nightstruck. The hero also gets to find romance in this terrible time, so all is not bad...
However, the novel has a few problems, that remain unanswered. The above mentioned best friend is unlikable before her transformation, and absolutely horrid afterward - and yet the hero of the novel just can't seem to fully reject her. Also one has to wonder why the supernatural horror is limited to the boundaries of Philadelphia?
Problems aside, the novel is exciting and keeps one's attention. Its ending is pretty surprising and clearly invites a sequel. The reviews of the sequel are not very good, and I started it and had to agree that the first few pages were pretty bad. Maybe the author should have let it end at one installment, but my guess is that she was under pressure to drag it out into at least a trilogy and maybe more, which is too bad.
Monday, October 15, 2018
A Hell of a Read
Evil Librarian by Michelle Knudsen
Somerville, Mass. : Candlewick Press, 2014.
343 p. ; 22 cm.
This was just what the doctor ordered. A fun, excitingly plotted high school adventure and romance featuring the drama crowd and - unexpectedly - a very handsome young male librarian who just happens to be a demon wreaking havoc on the school for his nefarious plot to take over the underworld throne...
Sounds crazy, right? Yes. The best part is that the book just rolls with the nonsense and if your roll with it you get caught up in the main character's heroic quest to save her best friend from an eternity of being a demon's consort, to save her school from a pending massacre, and to - create the best stage props ever for the school production of Sweeney Todd.
It's a really enjoyable mix of the supernatural plus high school friendships/romance plus thrills and danger. If you've been lost in following the hellish news of the world, this fun romp with a strong female hero is a welcome break.
Somerville, Mass. : Candlewick Press, 2014.
343 p. ; 22 cm.
This was just what the doctor ordered. A fun, excitingly plotted high school adventure and romance featuring the drama crowd and - unexpectedly - a very handsome young male librarian who just happens to be a demon wreaking havoc on the school for his nefarious plot to take over the underworld throne...
Sounds crazy, right? Yes. The best part is that the book just rolls with the nonsense and if your roll with it you get caught up in the main character's heroic quest to save her best friend from an eternity of being a demon's consort, to save her school from a pending massacre, and to - create the best stage props ever for the school production of Sweeney Todd.
It's a really enjoyable mix of the supernatural plus high school friendships/romance plus thrills and danger. If you've been lost in following the hellish news of the world, this fun romp with a strong female hero is a welcome break.
Wednesday, October 3, 2018
Still Strong
Speak: the graphic novel by Laurie Halse Anderson (artwork by Emily Carroll)
New York : Farrar Straus Giroux, 2018.
371 p. : chiefly ill. ; 22 cm.
I am very pleased that a graphic novel adaptation of Anderson's groundbreaking YA novel, Speak, is now out. It's hard to believe that it has been almost 20 years since Speak came out. It is a powerful story of a freshman girl who is shamed and shunned for calling the police during a summer party. Melinda, the hero of the novel, also silences herself until she is finally able to speak her truth - she called the police because she was raped by a popular senior boy.
In the powerful introduction to this graphic novel, Anderson states that she first wrote Speak to "deal with the depression and anxiety that had shadowed me since I was raped when I was thirteen years old." She also notes that graphic novels were not the popular and available format for literature that they are now and that most of the social media now so prevalent did not exist back then. That made her story perfect for updating.
Sadly, her story's as necessary as ever. Even as I write this, the President of the US (admitted sexual predator ) has just mocked a rape survivor .
Speak has remained a novel that still circulates widely, and hopefully this graphic novel will expand the number of people who read it.
New York : Farrar Straus Giroux, 2018.
371 p. : chiefly ill. ; 22 cm.
I am very pleased that a graphic novel adaptation of Anderson's groundbreaking YA novel, Speak, is now out. It's hard to believe that it has been almost 20 years since Speak came out. It is a powerful story of a freshman girl who is shamed and shunned for calling the police during a summer party. Melinda, the hero of the novel, also silences herself until she is finally able to speak her truth - she called the police because she was raped by a popular senior boy.
In the powerful introduction to this graphic novel, Anderson states that she first wrote Speak to "deal with the depression and anxiety that had shadowed me since I was raped when I was thirteen years old." She also notes that graphic novels were not the popular and available format for literature that they are now and that most of the social media now so prevalent did not exist back then. That made her story perfect for updating.
Sadly, her story's as necessary as ever. Even as I write this, the President of the US (admitted sexual predator ) has just mocked a rape survivor .
Speak has remained a novel that still circulates widely, and hopefully this graphic novel will expand the number of people who read it.
Monday, October 1, 2018
X + U = SLAM
New York, NY : HarperTeen, an imprint of HarperCollins Publishers, 2018.
361 p. ; 22 cm.
I'm not even going to pretend to be objective about this book. After seeing and hearing Acevedo read at our local library last week, while I was about half way through this book, all I can say is "Yes, read this book and recommend it to students you know."
She is a great performer and a strong writer, too. When I handed a copy of this book to a student recently, I said, "Be sure and look her up on YouTube."
The book is a fine telling of Xiomara, a girl coming of age in contemporary Harlem, NYC. She is a sensitive, but bold, young woman who is being raised by a very strict and very religious mother, and a somewhat distant and checked-out father - both who are immigrants from the Dominican Republic. She is also a twin of a brother she loves, and they both are struggling to become the adults they want to be - while under the restraints of their loving, but oppressive family.
Fortunately for Xiomara, her salvation is in nurturing her gift for poetry and spoken word performance. Will it be enough to overcome the binds of family and religion? Will she be able to find romantic love when her mother doesn't even want her talking to boys? Can she help her brother as he struggles to own his gay identity?
Well, you'll have to read the book to find out. There are unexpected plot twists and scenes of great emotion - and you won't be disappointed. I swear!
Wednesday, September 26, 2018
Almost Out of the Cage
Los Angeles : Hyperion, 2017.
310 p. ; 21 cm.
There are a lot of good things to say about A List of Cages. It tells a good story - a likeable kid, Adam, who reconnects with, and befriends, a younger marginalized kid (Julian, who was briefly his foster brother) and eventually helps save him from the terrible cruelties of an uncle who adopted him.
Roe unravels the story in chapters alternately told from one of the two main characters perspectives.
What I liked about the book are its portrayals of the difficult world of high school - especially for a student struggling with social and academic challenges. It does this without the cardboard villains of bullies and horrid teachers that often people such novels. Instead several characters are a times unlikeable, while not being terrible people. I also like that even Adam, the hero of the novel, struggles with his own behavioral issues and emotional ups and downs.
I also like that this novel deals with some pretty outrageous and terrible child abuse, but feels way less heartfelt than the supposedly true Child Called It books. Ultimately though, the severity of the abuse is, I think, its undoing. The novel ends with a far too rapid, and too rosy resolution of the plot. Despite this, I still would suggest it to a student since its overall arc is one of compassion, love and the healing power of kindness and friendship.
Monday, July 30, 2018
The Whole Nine Yards
Chicago, Ill. : Haymarket Books, 2018.
xxxviii, 220 p. : ill. ; 23 cm.
Seattle Seahawks defensive star (until 2018), Michael Bennett, has a lot to say about injustices in the United States in this remarkable book from Haymarket Books.
It is a great read, revealing Bennett's passion for social justice - especially around issues of racism and police violence. But Bennett is not a single issue crusader; he is also a feminist, food justice activist and workers' rights advocate.
Though called Things that Make White People Uncomfortable, the first half of the book could as easily have been called Things to Make Football Fans Uncomfortable as he exposes the heartless, predatory "business" of college football and the tough exploitation to be found in the actual business of professional football.
Whatever you end up thinking of the positions that Bennett takes on issues, you have to admire him as a man of integrity and heart. I would definitely recommend his book.
Monday, July 2, 2018
Bloody Chicago
A Few Drops of Red: The Chicago Race Riot of 1919 by Claire Hartfield
Boston : Clarion Books, Houghton Mifflin Harcourt, [2018]
198 p. : ill., map ; 27 cm.
Books like this make me glad (and proud) to be a young adult librarian. This is great book of history in that it is accessible, compelling, and succinct without simplifying the complicated forces of labor, war, immigration, race and economics that led to murderous attacks on African Americans in Chicago in 1919.
Hartfield's book takes the reader into the cauldron of race relations and economic warfare that was Chicago at the turn of the century. The city was the slaughterhouse/meat packing center of the world, a major destination for European immigrants, and was rife with robber baron exploitation (for this book, especially Gustavus Swift). The owners of the meat industry sought to crush any worker attempts at unionization and used any differences they could to divide workers - skilled vs. unskilled, Polish v. Irish, and of course - white vs. black. When they needed strikebreakers, they brought in African American workers under guard - a move that further inflamed racial hatreds and tensions especially in the breaking of a strike in 1904.
With the onset of WWI and labor shortages, the draw for southern African Americans led to mass migrations of African Americans to Chicago. The jobs were there, but housing was strictly limited to the boundaries of "The Black Belt" and conditions became overcrowded and poorly maintained. Then when WWI ended, returning white workers were given the industrial jobs and the blacks were fired.
It was a powder keg waiting to explode and the spark came on a hot, hot day in July 1919, at the lakefront when an African American teen was killed by a white man and nothing was done about it. The violence lasted days and only ended with the intervention of national guard troops.
This is definitely a book to recommend for history buffs, and especially local Illinois history buffs.
It was a powder keg waiting to explode and the spark came on a hot, hot day in July 1919, at the lakefront when an African American teen was killed by a white man and nothing was done about it. The violence lasted days and only ended with the intervention of national guard troops.
This is definitely a book to recommend for history buffs, and especially local Illinois history buffs.
Saturday, June 30, 2018
Ground Zero
Hiroshima by John Hersey
New York : Vintage Books, 1989, c1985.
152 p. ; 18 cm.
I had the good fortune of going to Japan this summer, part of the motivation was knowing a couple from the US who are running the World Friendship Center in Hiroshima. They suggested reading Hersey's book - which is available online for free at the New Yorker where it was first published in 1946.
I had read the book long ago and was impressed with what a powerful and important book it is. It tells the story of the atomic bombing of Hiroshima by weaving together the stories of survivors who Hersey interviewed shortly after the bombing. It is a terrifying retelling of the savage effects of the US bomb and on the strange and random ways that decided who survived and who did not.
Though it was written over seventy years ago, it has immediacy still. For anyone interested in discovering what it was like to be in the Hiroshima bombing, this remains a powerful testament.
New York : Vintage Books, 1989, c1985.
152 p. ; 18 cm.
I had the good fortune of going to Japan this summer, part of the motivation was knowing a couple from the US who are running the World Friendship Center in Hiroshima. They suggested reading Hersey's book - which is available online for free at the New Yorker where it was first published in 1946.
I had read the book long ago and was impressed with what a powerful and important book it is. It tells the story of the atomic bombing of Hiroshima by weaving together the stories of survivors who Hersey interviewed shortly after the bombing. It is a terrifying retelling of the savage effects of the US bomb and on the strange and random ways that decided who survived and who did not.
Though it was written over seventy years ago, it has immediacy still. For anyone interested in discovering what it was like to be in the Hiroshima bombing, this remains a powerful testament.
Wednesday, May 16, 2018
Is the Bar Half-Low or Half-High?
Fields of Blood: Religion and the History of Violence by Karen Armstrong
New York : Anchor Books, a Division of Penguin Random House LLC, 2015.
1st Anchor Bks. Ed., September 2015.
518 p. ; 21 cm.
This book took me longer to read than I would have liked, and it is book that would be better to read in a few long sittings instead of over many short readings as I have done. That being said, it is quite a read and worth spending some time with.
Reviewers have commented on the breadth of coverage and expertise of Armstrong - and those are impressive. I think one of the most interesting things is my sense that Armstrong wanted to write a book debunking the idea that religion - in and of itself - has added to the severity of human violence. I think she does a pretty good job of showing how in the place of religion, other secular ideologies (might one say idolatries?) such as rabid nationalism have proven equal to any of the barbarities committed with the sanction of religion. She also notes how within the major religions there have been tendencies that have sought to address and oppose systemic violence. However, I found it striking that in redeeming religion from the burden of being especially at fault for violence, her book in some ways indicts religion as being no better than any human/secular ideas and institutions. Given that religion lays claim to being connected to power(s) far beyond those of mere human creations, it really is scandalous that religion's relation to violence has been no better than that of many human institutions.
In essence religion comes out seeming like just another factor or tool in human struggles to amass power versus human resistance to oppressions by the powerful. At times, virtually all religions have been a force for decency and progress, while at other times they have joined and reinforced the most repressive and regressive policies of the powerful.
New York : Anchor Books, a Division of Penguin Random House LLC, 2015.
1st Anchor Bks. Ed., September 2015.
518 p. ; 21 cm.
This book took me longer to read than I would have liked, and it is book that would be better to read in a few long sittings instead of over many short readings as I have done. That being said, it is quite a read and worth spending some time with.
Reviewers have commented on the breadth of coverage and expertise of Armstrong - and those are impressive. I think one of the most interesting things is my sense that Armstrong wanted to write a book debunking the idea that religion - in and of itself - has added to the severity of human violence. I think she does a pretty good job of showing how in the place of religion, other secular ideologies (might one say idolatries?) such as rabid nationalism have proven equal to any of the barbarities committed with the sanction of religion. She also notes how within the major religions there have been tendencies that have sought to address and oppose systemic violence. However, I found it striking that in redeeming religion from the burden of being especially at fault for violence, her book in some ways indicts religion as being no better than any human/secular ideas and institutions. Given that religion lays claim to being connected to power(s) far beyond those of mere human creations, it really is scandalous that religion's relation to violence has been no better than that of many human institutions.
In essence religion comes out seeming like just another factor or tool in human struggles to amass power versus human resistance to oppressions by the powerful. At times, virtually all religions have been a force for decency and progress, while at other times they have joined and reinforced the most repressive and regressive policies of the powerful.
Thursday, April 12, 2018
Made in Mexico - ¡Si!
Photographic: the life of Graciela Iturbide by Isabel Quintero + Zeke Peña
Los Angeles : The J. Paul Getty Museum, [2018]
95 p. : chiefly ill. ; 24 cm.
What a great little book! I love that this introduction to the photography of Graciela Iturbide is published by the Getty Museum. Using the medium of the graphic novel (along with inserted actual photos by Iturbide - such as this phenomenal one of a woman with iguanas on her head) is a brilliant way to introduce a visual artist.
I also appreciate the writing of this book. The movement of the narrative is both informative and clear, but also dreamy and poetic. Take for instance this passage from page 18 - where Iturbide has taken her first photo while on a plane:
I become a bird in the heavens
and am filled with birds.
The camera awakens wings.
The wings give me new eyes.
And I will never stop flying.
It is also great that a book celebrates a living artist - a woman artist, and a Mexican artist, too! Wonderful!
Los Angeles : The J. Paul Getty Museum, [2018]
95 p. : chiefly ill. ; 24 cm.
What a great little book! I love that this introduction to the photography of Graciela Iturbide is published by the Getty Museum. Using the medium of the graphic novel (along with inserted actual photos by Iturbide - such as this phenomenal one of a woman with iguanas on her head) is a brilliant way to introduce a visual artist.
I also appreciate the writing of this book. The movement of the narrative is both informative and clear, but also dreamy and poetic. Take for instance this passage from page 18 - where Iturbide has taken her first photo while on a plane:
I become a bird in the heavens
and am filled with birds.
The camera awakens wings.
The wings give me new eyes.
And I will never stop flying.
It is also great that a book celebrates a living artist - a woman artist, and a Mexican artist, too! Wonderful!
Tuesday, March 13, 2018
Thumbs Up All the Way Down
Long Way Down by Jason Reynolds
New York : Atheneum, [2017]
306 p. ; 22 cm.
I'm a fan of Jason Reynolds, especially his When I was the Greatest, and somewhat of his foray into superhero fiction; this work did not disappoint. I wasn't sure I'd like his novel in verse; when that genre fails, it reads like mediocre prose chopped into lines. Instead, in this novel the poetry works. The poems help to enhance the ghostly narrative of the work (the main character is visited by ghosts of friends and family who have been killed by guns), and Reynolds uses a lot of assonance, consonance and internal rhymes to keep the language snapping and tight.
The movement of Reynolds' story is also creative and satisfying. Will, a young man is on his way to avenge the shooting/killing of his dearly loved older brother, Shawn. Taking the elevator down from the 7th floor, he is visited at each floor by the ghosts of various people he's known who have been shot. These ghosts offer insights, challenges and experience to Will.
The novel manages to be moving, thought-provoking, and interesting. It also doesn't end wrapped up and tidy. I would definitely recommend this book.
New York : Atheneum, [2017]
306 p. ; 22 cm.
I'm a fan of Jason Reynolds, especially his When I was the Greatest, and somewhat of his foray into superhero fiction; this work did not disappoint. I wasn't sure I'd like his novel in verse; when that genre fails, it reads like mediocre prose chopped into lines. Instead, in this novel the poetry works. The poems help to enhance the ghostly narrative of the work (the main character is visited by ghosts of friends and family who have been killed by guns), and Reynolds uses a lot of assonance, consonance and internal rhymes to keep the language snapping and tight.
The movement of Reynolds' story is also creative and satisfying. Will, a young man is on his way to avenge the shooting/killing of his dearly loved older brother, Shawn. Taking the elevator down from the 7th floor, he is visited at each floor by the ghosts of various people he's known who have been shot. These ghosts offer insights, challenges and experience to Will.
The novel manages to be moving, thought-provoking, and interesting. It also doesn't end wrapped up and tidy. I would definitely recommend this book.
Wednesday, February 21, 2018
Perfectly Not Perfect
I Am Not Your Perfect Mexican Daughter by Erika L. Sánchez
New York : Alfred A. Knopf, [2017]
344 p. ; 22 cm.
I added this book to the library this school year after seeing it highly recommended in a review, and then seeing that it was a finalist for The National Book Award, I figured I had to read it. I am very glad that I did.
This book was great. I was afraid that it would be a bit of a sentimentalizing or romanticizing look at a Mexican American family, but instead it was a book about the complex and difficult pains of loving and hating your family, of feeling trapped, of being poor, and of not fitting in. It's not only a family drama, but is also a mystery of a death and unraveling the secret life of someone you think you know (or maybe I should say unraveling the secret lives of several people you think you know). At its heart it's a thoughtful book about love. It is a very tender book, but unlike Canales' The Tequila Worm, it has a lot of edge to it.
The book follows the main character, high-schooler Julia, as she tries to grapple with several challenges: who really was her older, "perfect," recently deceased sister, how can she escape the limits of family and neighborhood to become the writer and intellectual she hopes to be, and how can she deal with the oppressive love of her grief stricken and overly strict parents? Julia's trials over the course of the novel are interesting, sometimes surprising, often funny and worth the read. Will I recommend this book? Absolutely
New York : Alfred A. Knopf, [2017]
344 p. ; 22 cm.
I added this book to the library this school year after seeing it highly recommended in a review, and then seeing that it was a finalist for The National Book Award, I figured I had to read it. I am very glad that I did.
This book was great. I was afraid that it would be a bit of a sentimentalizing or romanticizing look at a Mexican American family, but instead it was a book about the complex and difficult pains of loving and hating your family, of feeling trapped, of being poor, and of not fitting in. It's not only a family drama, but is also a mystery of a death and unraveling the secret life of someone you think you know (or maybe I should say unraveling the secret lives of several people you think you know). At its heart it's a thoughtful book about love. It is a very tender book, but unlike Canales' The Tequila Worm, it has a lot of edge to it.
The book follows the main character, high-schooler Julia, as she tries to grapple with several challenges: who really was her older, "perfect," recently deceased sister, how can she escape the limits of family and neighborhood to become the writer and intellectual she hopes to be, and how can she deal with the oppressive love of her grief stricken and overly strict parents? Julia's trials over the course of the novel are interesting, sometimes surprising, often funny and worth the read. Will I recommend this book? Absolutely
Wednesday, February 14, 2018
Of Course It's a Mess
Spontaneous by Aaron Starmer
New York, NY : Dutton Books, [2016]
355 p. ; 22 cm.
A bloody mess actually, because what else would you expect when living people suddenly (or should I say spontaneously) explode into a mess of liquefied body parts and fluids?
The beginning of Spontaneous reminds me a bit of Gone by Michael Grant, in that an ordinary day at a high school becomes anything but normal with a shocking turn of events. In this case it's when one the seniors in the school spontaneously combusts during a class. When this is followed by many more single and multiple combustions over the course of the novel things get very crazy, and very disturbing.
I liked the first three-fourths of this novel pretty well. The premise is a real hook for readers and by telling it all from the viewpoint of one of the smart and grim-humored characters - Mara Carlyle - the novel moves along at a raucous, albeit grotesque pace. Of course, the government gets involved, theories of causes emerge, the town in New Jersey where it happens is first the scene of a media frenzy, and then quarantined - all the while the hapless senior class that is being afflicted by this tragedy is trying to figure out how to keep living and keep finding meaning in life. Part of that search revolves around friendships, family, and the sweet romance between the main character and the quirky but nice young man, Dylan.
The challenge of this novel is where to go with it. And in that I found it not as good as I hoped. There is a bizarre character, FBI agent Carla Rosetti who by the end of the novel has gone strangely rogue. There is a friend who's fate is a mystery - was her end a dream or did she escape or something else? There are many unanswered questions. I didn't expect the novel to tie up all its loose ends, or have a happy ending, but it felt to me like the storyline simply got the best of the author who couldn't figure out a satisfactory ending and so let it just kind of fizzle out.
All in all, I'd recommend it to a student who wants a bizarre story and who won't mind finishing a book while still having a lot of unanswered questions. Besides, the writing is fresh and interesting and the novel conjures up a lot of questions about mortality, meaning and how one should live in the face of imminent dangers - a parable for our own dangerous times, perhaps.
New York, NY : Dutton Books, [2016]
355 p. ; 22 cm.
A bloody mess actually, because what else would you expect when living people suddenly (or should I say spontaneously) explode into a mess of liquefied body parts and fluids?
The beginning of Spontaneous reminds me a bit of Gone by Michael Grant, in that an ordinary day at a high school becomes anything but normal with a shocking turn of events. In this case it's when one the seniors in the school spontaneously combusts during a class. When this is followed by many more single and multiple combustions over the course of the novel things get very crazy, and very disturbing.
I liked the first three-fourths of this novel pretty well. The premise is a real hook for readers and by telling it all from the viewpoint of one of the smart and grim-humored characters - Mara Carlyle - the novel moves along at a raucous, albeit grotesque pace. Of course, the government gets involved, theories of causes emerge, the town in New Jersey where it happens is first the scene of a media frenzy, and then quarantined - all the while the hapless senior class that is being afflicted by this tragedy is trying to figure out how to keep living and keep finding meaning in life. Part of that search revolves around friendships, family, and the sweet romance between the main character and the quirky but nice young man, Dylan.
The challenge of this novel is where to go with it. And in that I found it not as good as I hoped. There is a bizarre character, FBI agent Carla Rosetti who by the end of the novel has gone strangely rogue. There is a friend who's fate is a mystery - was her end a dream or did she escape or something else? There are many unanswered questions. I didn't expect the novel to tie up all its loose ends, or have a happy ending, but it felt to me like the storyline simply got the best of the author who couldn't figure out a satisfactory ending and so let it just kind of fizzle out.
All in all, I'd recommend it to a student who wants a bizarre story and who won't mind finishing a book while still having a lot of unanswered questions. Besides, the writing is fresh and interesting and the novel conjures up a lot of questions about mortality, meaning and how one should live in the face of imminent dangers - a parable for our own dangerous times, perhaps.
Friday, January 26, 2018
Insanely Plotted, but Complusively Readable
A Madness So Discreet by Mindy McGinnis
New York, NY : Katherine Tegen Books, an imprint of HarperCollins Publishers, 2016.
376 p. ; 22 cm.
There is a lot to like about this revenge tale of murder and mystery set in the late 1800s. The writing is smart, the characters are interesting and the novel has a dark edge that will appeal to readers who don't like their plots sweetened with syrupy romances and neat, happy endings.
The main character, Grace, is a striking figure - a young woman of a wealthy, influential family who is imprisoned in a Boston insane asylum because she has become pregnant. The author has done a bit of research into the treatment of the "insane" and of women declared insane and developed a disturbing and satisfying novel out of the material. If you want to see the benign asylum where Grace escaped to in Ohio, you can check out this page from Ohio University.
A lot of the plot springs out of the fact that Grace is an incest survivor who - having escaped Boston - wants to protect her younger sister from the perpetrator, and wants to exact revenge on him. Did I also mention that she works undercover with a doctor in order to solve (by profiling) murders, particularly a murder involving a serial killer. Her victimization, escape, hopes for revenge and protective zeal for her sister all come together in a dramatic conclusion that strains credibility, but is satisfying nonetheless.
Overall, I wasn't crazy about A Madness, but I will recommend it - with its historical background, strong female characters, and grim storyline it has a lot to offer a reader.
New York, NY : Katherine Tegen Books, an imprint of HarperCollins Publishers, 2016.
376 p. ; 22 cm.
There is a lot to like about this revenge tale of murder and mystery set in the late 1800s. The writing is smart, the characters are interesting and the novel has a dark edge that will appeal to readers who don't like their plots sweetened with syrupy romances and neat, happy endings.
The main character, Grace, is a striking figure - a young woman of a wealthy, influential family who is imprisoned in a Boston insane asylum because she has become pregnant. The author has done a bit of research into the treatment of the "insane" and of women declared insane and developed a disturbing and satisfying novel out of the material. If you want to see the benign asylum where Grace escaped to in Ohio, you can check out this page from Ohio University.
A lot of the plot springs out of the fact that Grace is an incest survivor who - having escaped Boston - wants to protect her younger sister from the perpetrator, and wants to exact revenge on him. Did I also mention that she works undercover with a doctor in order to solve (by profiling) murders, particularly a murder involving a serial killer. Her victimization, escape, hopes for revenge and protective zeal for her sister all come together in a dramatic conclusion that strains credibility, but is satisfying nonetheless.
Overall, I wasn't crazy about A Madness, but I will recommend it - with its historical background, strong female characters, and grim storyline it has a lot to offer a reader.
Thursday, January 11, 2018
Reduced to Tears
Tear Gas by Anna Feigenbaum
London ; Brooklyn, NY : Verso, 2017.
218 p. 22 cm.
This is a disturbing book and it should be. It tells the history of how pain and distress inducing poison gas went from the less-than-lethal gas (yet still condemned by decent people) used against soldiers during WWI to the go-to poison used by police and military forces of governments around the world to squash protests that they deem threatening to their order - no matter how unjust or unpopular.
The really interesting back story is how US marketing in the 1920s eventually triumphed in reshaping the perception of tear gas from a painful and uncivilized poison used against mostly-unarmed people to being considered a non-lethal alternative to more violent repressive tools of the state. This book does a great job of showing that though tear gas - when used in moderation in an open-air environment - is not generally lethal, it's use by government forces throughout history has been such as to intentionally harm, maim and kill people. This has been done by firing canisters and grenades directly at protesters (often at close range) and by using it in enclosed situations such as houses, prisons, cars, tunnels and buses.
The author also does a good job of showing how the use of tear gas rises when economic injustice is greater - during depressions, food shortages, violent occupations, etc. Tear gas has been a crucial tool in unjust governments attacking protesters and destroying movements instead of addressing underlying inequities. She also does a thorough job of showing how tear gas has been an integral part of the increasing militarization of police forces around the world (and showing how profitable this has been to suppliers).
For anyone interested in the history of this poisonous gas and learning how it has come to be so commonly used by all types of governments, I would highly recommend Feigenbaum's Tear Gas.
London ; Brooklyn, NY : Verso, 2017.
218 p. 22 cm.
This is a disturbing book and it should be. It tells the history of how pain and distress inducing poison gas went from the less-than-lethal gas (yet still condemned by decent people) used against soldiers during WWI to the go-to poison used by police and military forces of governments around the world to squash protests that they deem threatening to their order - no matter how unjust or unpopular.
The really interesting back story is how US marketing in the 1920s eventually triumphed in reshaping the perception of tear gas from a painful and uncivilized poison used against mostly-unarmed people to being considered a non-lethal alternative to more violent repressive tools of the state. This book does a great job of showing that though tear gas - when used in moderation in an open-air environment - is not generally lethal, it's use by government forces throughout history has been such as to intentionally harm, maim and kill people. This has been done by firing canisters and grenades directly at protesters (often at close range) and by using it in enclosed situations such as houses, prisons, cars, tunnels and buses.
The author also does a good job of showing how the use of tear gas rises when economic injustice is greater - during depressions, food shortages, violent occupations, etc. Tear gas has been a crucial tool in unjust governments attacking protesters and destroying movements instead of addressing underlying inequities. She also does a thorough job of showing how tear gas has been an integral part of the increasing militarization of police forces around the world (and showing how profitable this has been to suppliers).
For anyone interested in the history of this poisonous gas and learning how it has come to be so commonly used by all types of governments, I would highly recommend Feigenbaum's Tear Gas.
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