Art Lives!

Shadowshaper by Daniel José Older 

New York, NY : Arthur A. Levine Books, an imprint of Scholastic Inc., c2015.    

297 p. ; 20 cm. 

I had been wanting to read this book for quite a while. I was going to read it during Hispanic Heritage Month, but a students checked out the copies we had (which is great!). So when they came back in I checked it out to myself and read it.

Shadowshaper is the debut novel writers dream of - it was a "Top Ten" on ALA and YALSA lists, a "Best Book of the Year" at NPR and Publishers Weekly, and received stellar reviews, etc. The praise was not undeserved. It's a wonderfully creative novel - undergirded by concerns of ethnic heritage, sexism, gentrification, cultural appropriation - that manages to be a supernatural thriller, urban fantasy, and coming of age story all at once.

At the heart of the story is Sierra a Puerto Rican teen artist/muralist living in Brooklyn. As the story unfolds she learns that her powers are not just artistic, but connected to an age old spiritual power that allows her to bring spirits into her works of art - literally bringing them to life.  This of course would be a ho-hum story without an evil force that seeks to destroy shadowshapers like Sierra so as to gather all that power into himself.  It is a life-and-death danger and Sierra must confront it head on with the help of a another shadowshaping artist - Robbie - and her friends and brother.  The battle between the forces of Sierra and her allies and their nemesis provides the action of the novel.

For some this action will be what draws and holds them in the story.  For me this was the weakest part of the novel. The climactic battle scenes feel like they owe too much action movie staging. I found the most moving parts of the novel were the beginnings of Sierra's understanding of her powers and the descriptions of the art works coming to life, and her meeting with her grandmother's spirit.  But that's me, and I recognize that the gruesome creatures and the bone-crunching fights will be what keeps many readers going right to the satisfying end.

A Fun, but Tangled Web

Miles Morales, Spider-Man by Jason Reynolds
Los Angeles : Marvel, 2017.
261 p. ; 22 cm.

Jason Reynolds is a talented writer (I really enjoyed the last book of his I read) and this story bears that out. It's a fun, clever and fleshed out novel that takes the Brian Michael Bendis' reboot of Spider-man as its jumping off point.     

The fun and attraction of Reynold's novel is the way it just treats as totally believable the idea of a late middle-schooler from Brooklyn having Spider-man-like super powers and runs with it.  Think of the problems and dilemmas having such powers would be while trying to navigate middle school and adolescence.  Add in the pressures of racism on our young African American superhero and you have a great recipe for storytelling. 

I was with Reynolds for all but the villainous (and somewhat mystical, magical mythical) role played by the Chamberlains of the novel.  This character(s) seems to represent the embodiment of White Supremacy and though interesting, I think it ultimately becomes too magical and unresolved.  Does this ruin the novel?  I don't think so.  I still enjoyed the read - great characters, great descriptions of the Brooklyn setting, and some action packed episodes of Spider-man adventures.  However, I would have liked it better if the racism and set-backs were just the usual racism and discrimination that Miles Morales would have experienced - instead of it being in the shapeshifting, creepy incarnation of Chamberlain.

Floats Like a Butterfly

Bed-stuy Setting of When I was the Greatest

When I Was the Greatest by Jason Reynolds
New York : Atheneum Books for Young Readers, [2014]
231 p. ; 22 cm.  

This is one of those books that really exceeds expectations!  I read it because I saw that it had won the John Steptoe - New Talent / Coretta Scott King Award for 2015 and had received numerous positive reviews (e.g. Publishers Weekly and Kirkus), and I wanted to see for myself if it was a book I could recommend.  Also, I'm always on the lookout for diverse authors - our school is a very diverse school - and Jason Reynolds, a young African-American writer living in Brooklyn, interested me.

Would I recommend this book?  The answer is a definite Yes!  I loved this book.  One of the reviewers on Goodreads writes, "Jason Reynolds just slays the voice in this book.  Slays it," and I have to agree.  His voice reminded me a lot of Christopher Paul Curtis, the wonderful author of Bud not Buddy. But, where Bud not Buddy is aimed at middle school readers, Reynolds book hits right at the high school age reader.

What I loved about Reynolds book is that it deals with the rough life of the urban working poor and unemployed - and does so with humor, a light touch and a lot of heart.  There is action in this book, a bit of sex (or almost sex), physical violence, lawbreaking, and cussing, but the heart of the book is about loyalty, friendship, acceptance, and - dare one say it? - love.

It's funny to me that the cover, seen here,

was actually controversial!  I was disappointed with the cover, but not for it being too provocative.  On the contrary, I think it's a weak cover that doesn't grab the attention of a high school reader.  A stunning portrait of a kid in a fight, or shadows on a Brooklyn street, or hustlers on a street corner would have been far more compelling.  Honestly, when I first saw the book, I thought "Oh, cool it's a new LGBT book!" For the record, it's not.

Cover aside, I will definitely recommend this book to any student looking for an all-around good read or a fresh take on urban life, drama, and growing up.