Showing posts with label novels in verse. Show all posts
Showing posts with label novels in verse. Show all posts

Monday, February 1, 2021

Dancing Free


Every Body Looking
by Candace Iloh
New York : Dutton Books, [2020] 
403 p. ; 22 cm.

This is a book that gets better and better as you read it.  I wasn't really hooked at the beginning, but by the end I was turning the pages, and really rooting for college freshman, Ada, who is in her first year of college at the esteemed HBCU, Howard University.  Ada is a first generation Nigerian-American and has a devoted (but intensely religious) father who is divorced from her toxic mom. 

I really loved Ada's journey of embracing her real passion - to be a dancer - in the face of expectations from family to be a studious accounting major.  She also has to figure out her sexuality and what will make her life meaningful.

The book has received outstanding praise. It is a Michael Printz 2021 honor book and a 2020 National Book Award finalist! Like Elizabeth Acevedo's Poet X, it is written in verse, but it is organized in sections that have a staggered timeline - moving back and forth from high school, to college, to grade school. I liked Poet X better, but someone who likes dance, or a first year college experience, etc. might like this book as much or more. 

I would love to see how students respond to this book.  I will definitely recommend it to any student looking for a coming of age novel, a novel in verse, a book with a strong female lead, or just a read with a lot of heart.



Monday, November 5, 2018

Bullish on Mythology


Bull by David Elliot
Boston : Houghton Mifflin Harcourt, [2017]
185 p. ; 22 cm.

This Bull gives you a wild ride! It's a whip-smart retelling of the Minotaur myth, told in structured poetic forms but with the tone and attitude of hip-hop.

Well, it's a pretty bizarre myth to begin with - a king slights Poseidon who causes his wife to fall for a bull and she ends up giving birth to a half-human, half-bull monster. Elliot runs with it with a bit of street language that might be too rough for middle-schoolers but should intrigue high-schoolers.

At the end of the book he explains the various poetic forms he used for each character - it's a study in prosody worth reading.

It's not a book for every taste, but I'll recommend it to students looking for something mythology based or who like hip-hop influenced writing.

Monday, October 1, 2018

X + U = SLAM

The Poet X by Elizabeth Acevedo
New York, NY : HarperTeen, an imprint of HarperCollins Publishers, 2018.   
361 p. ; 22 cm.

I'm not even going to pretend to be objective about this book.  After seeing and hearing Acevedo read at our local library last week, while I was about half way through this book, all I can say is "Yes, read this book and recommend it to students you know." 

She is a great performer and a strong writer, too.  When I handed a copy of this book to a student recently, I said, "Be sure and look her up on YouTube."

The book is a fine telling of Xiomara, a girl coming of age in contemporary Harlem, NYC.  She is a sensitive, but bold, young woman who is being raised by a very strict and very religious mother, and a somewhat distant and checked-out father - both who are immigrants from the Dominican Republic. She is also a twin of a brother she loves, and they both are struggling to become the adults they want to be - while under the restraints of their loving, but oppressive family.

Fortunately for Xiomara, her salvation is in nurturing her gift for poetry and spoken word performance.  Will it be enough to overcome the binds of family and religion?  Will she be able to find romantic love when her mother doesn't even want her talking to boys?  Can she help her brother as he struggles to own his gay identity?

Well, you'll have to read the book to find out.  There are unexpected plot twists and scenes of great emotion - and you won't be disappointed. I swear!

Tuesday, March 13, 2018

Thumbs Up All the Way Down

Long Way Down by Jason Reynolds
New York : Atheneum, [2017]
306 p. ; 22 cm.

I'm a fan of Jason Reynolds, especially his When I was the Greatest, and somewhat of his foray into superhero fiction; this work did not disappoint.  I wasn't sure I'd like his novel in verse; when that genre fails, it reads like mediocre prose chopped into lines.  Instead, in this novel the poetry works.  The poems help to enhance the ghostly narrative of the work (the main character is visited by ghosts of friends and family who have been killed by guns), and Reynolds uses a lot of assonance, consonance and internal rhymes to keep the language snapping and tight.

The movement of Reynolds' story is also creative and satisfying.  Will, a young man is on his way to avenge the shooting/killing of his dearly loved older brother, Shawn.  Taking the elevator down from the 7th floor,  he is visited at each floor by the ghosts of various people he's known who have been shot.  These ghosts offer insights, challenges and experience to Will.

The novel manages to be moving, thought-provoking, and interesting.  It also doesn't end wrapped up and tidy.  I would definitely recommend this book.

Friday, November 15, 2013

An Addictive Novel

Crank by Ellen Hopkins
New York : Simon Pulse, 2004.
537 p. ; 18 cm.

Hopkins manages to pull you into the mind and world of a high school-aged good kid drawn into a downward spiral due to her growing addiction to methamphetamine (crank).  She does it with really nice verse that allows her to often have the main character's thoughts, spoken words, and dialogue from others all in one poem.

This book, and many of Hopkins very long novels in verse are very popular and I can see why. Her strength is that she deals honestly with the appeal of drug abuse - while at the same time illuminating the horrors and dangers of addiction.  It's a skillful balancing act that keeps her book compelling but not preachy.  Also the variety of poetic line structures works pretty well - allowing calm meditative poems, jumbled high-on-meth poems, broken blocks of verse to reflect multiple voices and perspectives, etc.

In a short "Author's note" at the beginning of the book, Hopkins reveals that much of the substance of her novel in verse is from her own life as a mother with a meth-addicted daughter, though she admits that many events, characters, etc. are composites based on real life experiences.

No need to recommend this book, as it remains very popular.  I'm glad I finally got around to reading it, so I can appreciate its many strengths.