The 57 Bus by Dashka Slater
New York : Farrar Straus Giroux, 2017
305 p. ; 22 cm.
A friend read this book and told me I should read it. I'm glad she did. It's a timely and interesting non-fiction YA book.
The basic "story" of the book involves two teens from different worlds in Oakland, California whose lives intersect on a city bus when one - a genderqueer student who looks like a boy but wears skirts - is set on fire by another student - a lively, friendly African American young man from another school. The act was a rash "prank" intended more to harass and perhaps humiliate the targeted student, but it ended up seriously injuring the victim, and was treated as a felonious, adult hate crime.
The book delves into the different world of these two young people and manages to convey the terrible nature of the crime and its effects, while also richly fleshing out the perpetrator.
There is a lot to mull over in this book. The roles that race, gender identity, family, poverty, policing and criminal justice play in our society.
I really like that the book jumps right in with the crime, and then proceeds to introduce us to the main protagonists in this drama. It also helps us see the ways that criminal justice serves and does not serve both victims and perpetrators.
This would be a great book to use in a class room to open up discussions of racial justice, criminal justice, gender identity, privilege and income inequality.
In addition to being a relevant read, it's also compelling and well written. I would recommend it.
Showing posts with label African American males. Show all posts
Showing posts with label African American males. Show all posts
Thursday, January 9, 2020
Wednesday, April 17, 2019
Like Horses at Rush Hour
Ghetto Cowboy by G. Neri
Somerville, Mass. : Candlewick Press, 2011.
218 p. : ill. ; 22 cm.
I really got a kick out of this book. The plot seems so ludicrous that I at first thought, this Neri has one crazy imagination. I mean a wayward Detroit African-American kid sent by his mom to Philadelphia so he can straighten up with the father he has never known - who just happens to be a skilled horseman/cowboy living in the run down, inner city of Philly. The thing is, it's based on real-life African-American, urban cowboys who have carried on this city tradition for nearly 100 years.
If you don't believe it, go over to G. Neri's website and brush up on your history - and get ready for a film version of the novel.
The novel is a touching coming of age story, involving the almost-teen Cole who has driven his mom to the edge with his growing misbehavior and bad attitude. So she packs him in the car at night and takes him to Philadelphia where she literally dumps him with his father who he doesn't even know. After a rough start, the two start to bond and Cole - by working with horses - starts to figure out what the important things in life really are. One of those values is taking a stand for tradition and culture against the greed of developers.
There's a lot to recommend this story. It angles a little young for high-schoolers, but I'll still recommend it, using the unreal situation of horses in the inner city as a selling point.
Somerville, Mass. : Candlewick Press, 2011.
218 p. : ill. ; 22 cm.
I really got a kick out of this book. The plot seems so ludicrous that I at first thought, this Neri has one crazy imagination. I mean a wayward Detroit African-American kid sent by his mom to Philadelphia so he can straighten up with the father he has never known - who just happens to be a skilled horseman/cowboy living in the run down, inner city of Philly. The thing is, it's based on real-life African-American, urban cowboys who have carried on this city tradition for nearly 100 years.
If you don't believe it, go over to G. Neri's website and brush up on your history - and get ready for a film version of the novel.
The novel is a touching coming of age story, involving the almost-teen Cole who has driven his mom to the edge with his growing misbehavior and bad attitude. So she packs him in the car at night and takes him to Philadelphia where she literally dumps him with his father who he doesn't even know. After a rough start, the two start to bond and Cole - by working with horses - starts to figure out what the important things in life really are. One of those values is taking a stand for tradition and culture against the greed of developers.
There's a lot to recommend this story. It angles a little young for high-schoolers, but I'll still recommend it, using the unreal situation of horses in the inner city as a selling point.
Monday, July 30, 2018
The Whole Nine Yards
Chicago, Ill. : Haymarket Books, 2018.
xxxviii, 220 p. : ill. ; 23 cm.
Seattle Seahawks defensive star (until 2018), Michael Bennett, has a lot to say about injustices in the United States in this remarkable book from Haymarket Books.
It is a great read, revealing Bennett's passion for social justice - especially around issues of racism and police violence. But Bennett is not a single issue crusader; he is also a feminist, food justice activist and workers' rights advocate.
Though called Things that Make White People Uncomfortable, the first half of the book could as easily have been called Things to Make Football Fans Uncomfortable as he exposes the heartless, predatory "business" of college football and the tough exploitation to be found in the actual business of professional football.
Whatever you end up thinking of the positions that Bennett takes on issues, you have to admire him as a man of integrity and heart. I would definitely recommend his book.
Tuesday, March 13, 2018
Thumbs Up All the Way Down
Long Way Down by Jason Reynolds
New York : Atheneum, [2017]
306 p. ; 22 cm.
I'm a fan of Jason Reynolds, especially his When I was the Greatest, and somewhat of his foray into superhero fiction; this work did not disappoint. I wasn't sure I'd like his novel in verse; when that genre fails, it reads like mediocre prose chopped into lines. Instead, in this novel the poetry works. The poems help to enhance the ghostly narrative of the work (the main character is visited by ghosts of friends and family who have been killed by guns), and Reynolds uses a lot of assonance, consonance and internal rhymes to keep the language snapping and tight.
The movement of Reynolds' story is also creative and satisfying. Will, a young man is on his way to avenge the shooting/killing of his dearly loved older brother, Shawn. Taking the elevator down from the 7th floor, he is visited at each floor by the ghosts of various people he's known who have been shot. These ghosts offer insights, challenges and experience to Will.
The novel manages to be moving, thought-provoking, and interesting. It also doesn't end wrapped up and tidy. I would definitely recommend this book.
New York : Atheneum, [2017]
306 p. ; 22 cm.
I'm a fan of Jason Reynolds, especially his When I was the Greatest, and somewhat of his foray into superhero fiction; this work did not disappoint. I wasn't sure I'd like his novel in verse; when that genre fails, it reads like mediocre prose chopped into lines. Instead, in this novel the poetry works. The poems help to enhance the ghostly narrative of the work (the main character is visited by ghosts of friends and family who have been killed by guns), and Reynolds uses a lot of assonance, consonance and internal rhymes to keep the language snapping and tight.
The movement of Reynolds' story is also creative and satisfying. Will, a young man is on his way to avenge the shooting/killing of his dearly loved older brother, Shawn. Taking the elevator down from the 7th floor, he is visited at each floor by the ghosts of various people he's known who have been shot. These ghosts offer insights, challenges and experience to Will.
The novel manages to be moving, thought-provoking, and interesting. It also doesn't end wrapped up and tidy. I would definitely recommend this book.
Tuesday, November 7, 2017
A Fun, but Tangled Web
Miles Morales, Spider-Man by Jason Reynolds
Los Angeles : Marvel, 2017.
261 p. ; 22 cm.
Jason Reynolds is a talented writer (I really enjoyed the last book of his I read) and this story bears that out. It's a fun, clever and fleshed out novel that takes the Brian Michael Bendis' reboot of Spider-man as its jumping off point.
The fun and attraction of Reynold's novel is the way it just treats as totally believable the idea of a late middle-schooler from Brooklyn having Spider-man-like super powers and runs with it. Think of the problems and dilemmas having such powers would be while trying to navigate middle school and adolescence. Add in the pressures of racism on our young African American superhero and you have a great recipe for storytelling.
I was with Reynolds for all but the villainous (and somewhat mystical, magical mythical) role played by the Chamberlains of the novel. This character(s) seems to represent the embodiment of White Supremacy and though interesting, I think it ultimately becomes too magical and unresolved. Does this ruin the novel? I don't think so. I still enjoyed the read - great characters, great descriptions of the Brooklyn setting, and some action packed episodes of Spider-man adventures. However, I would have liked it better if the racism and set-backs were just the usual racism and discrimination that Miles Morales would have experienced - instead of it being in the shapeshifting, creepy incarnation of Chamberlain.
Los Angeles : Marvel, 2017.
261 p. ; 22 cm.
Jason Reynolds is a talented writer (I really enjoyed the last book of his I read) and this story bears that out. It's a fun, clever and fleshed out novel that takes the Brian Michael Bendis' reboot of Spider-man as its jumping off point.
The fun and attraction of Reynold's novel is the way it just treats as totally believable the idea of a late middle-schooler from Brooklyn having Spider-man-like super powers and runs with it. Think of the problems and dilemmas having such powers would be while trying to navigate middle school and adolescence. Add in the pressures of racism on our young African American superhero and you have a great recipe for storytelling.
I was with Reynolds for all but the villainous (and somewhat mystical, magical mythical) role played by the Chamberlains of the novel. This character(s) seems to represent the embodiment of White Supremacy and though interesting, I think it ultimately becomes too magical and unresolved. Does this ruin the novel? I don't think so. I still enjoyed the read - great characters, great descriptions of the Brooklyn setting, and some action packed episodes of Spider-man adventures. However, I would have liked it better if the racism and set-backs were just the usual racism and discrimination that Miles Morales would have experienced - instead of it being in the shapeshifting, creepy incarnation of Chamberlain.
Thursday, March 2, 2017
Swoosh!
The Crossover by Kwame Alexander
Boston : Houghton Mifflin Harcourt, [2014]
237 p. ; 22 cm.
One advantage of being home sick is getting around to reading books that were on my backlist. The Crossover is one of those, and it helped that I mentioned it a few weeks ago to a student, who told me he liked it.
The Crossover is a "novels in verse" which I'm not as taken with as some readers are, but Kwame Alexander's novel received such glowing praise and awards - including the prestigious Newbery Award and honors from the Coretta Scott King Awards - that I felt I had to read it.
I have no complaints about the book. Alexander dazzles with his lively poems and energetic vocabulary and style. The narrative of the book - involving twin brothers who are very young basketball phenoms - is exciting, fascinating, filled with sports and family drama, and is unpredictable. What more could you want?
Really my only gripe is that the book is pretty young for a high school audience. It feels VERY middle school - including the one twin brother's utter incomprehension that his other brother is more interested in romantic love than in hanging out with him! I guess I'll still recommend the book, but just mention that the main characters are middle schoolers, not high schoolers.
Friday, July 1, 2016
Harsh Life - Lush Art
Black Boy by Richard Wright
New York : HarperPerennial ModernClassics, 2006.
xiv, 419, 14 p. : ill. ; 21 cm.
One of the joys of being a librarian is walking the stacks and seeing a book that keeps calling out to you, "Read me." It must have been about 8 or 9 years ago that I finally read Wright's stunning 1940 novel, Native Son. Since then his autobiography has been sitting on the shelf demanding to be read, and so I finally have done it. It is amazing!
What I loved about Wright's book is the way it puts you completely in the mind and heart of a young African American male growing up in the Jim Crow south in the early twentieth century. It's especially interesting in that Wright is never able to learn to hide his thoughts from white people - even when he tries, and he realizes that - in the racist South - could easily cost him his life.
It is also a wonderful book for anyone who is an artist or loves art, but really has no idea why. There are times as a boy, where he writes just for the sheer delight of using language. It is something that almost none of his peers understands or appreciates. The book is also tribute to the stubborn grace of someone clinging to his integrity while being threatened by the larger society with its violent racism, and his more intimate social circle where his assertion of his right to think independently is ridiculed and punished by teachers, guardians, religious people, and family.
The book breaks down into two major sections - his life in the Jim Crow south (Arkansas, Mississippi, Tennessee) and his move to Chicago where he gets involved in the heavily Stalinist, intellectually repressive Communist Party. Both sections are very interesting, but my guess is that many students would especially like the first half.
I would definitely recommend this book to students. It is a fascinating, well written book.
New York : HarperPerennial ModernClassics, 2006.
xiv, 419, 14 p. : ill. ; 21 cm.
One of the joys of being a librarian is walking the stacks and seeing a book that keeps calling out to you, "Read me." It must have been about 8 or 9 years ago that I finally read Wright's stunning 1940 novel, Native Son. Since then his autobiography has been sitting on the shelf demanding to be read, and so I finally have done it. It is amazing!
What I loved about Wright's book is the way it puts you completely in the mind and heart of a young African American male growing up in the Jim Crow south in the early twentieth century. It's especially interesting in that Wright is never able to learn to hide his thoughts from white people - even when he tries, and he realizes that - in the racist South - could easily cost him his life.
It is also a wonderful book for anyone who is an artist or loves art, but really has no idea why. There are times as a boy, where he writes just for the sheer delight of using language. It is something that almost none of his peers understands or appreciates. The book is also tribute to the stubborn grace of someone clinging to his integrity while being threatened by the larger society with its violent racism, and his more intimate social circle where his assertion of his right to think independently is ridiculed and punished by teachers, guardians, religious people, and family.
The book breaks down into two major sections - his life in the Jim Crow south (Arkansas, Mississippi, Tennessee) and his move to Chicago where he gets involved in the heavily Stalinist, intellectually repressive Communist Party. Both sections are very interesting, but my guess is that many students would especially like the first half.
I would definitely recommend this book to students. It is a fascinating, well written book.
Monday, August 24, 2015
Civil Rights Sailors and the Big Explosion
The Port Chicago 50: Disaster, Mutiny, and the Fight for Civil Rights by Steve Sheinkin
New York : Roaring Brook Press, 2014.
1st ed.
200 p. : ill. ; 24 cm.
From the dynamic cover, to the epilogue - I loved this book. It is an amazing story of unsung Civil Rights heroes who took against racism in the US Navy during WWII and helped force greater opportunities for African Americans in the military - and at great cost to themselves.
This book has all the elements of a great tale - a massive tragic explosion, tales of personal courage, rumors of a conspiracy, the suspense of a trial/court martial, and a positive but not rosy ending. And in telling the tale, Steve Sheinkin brings to life the stories of very young men who simply wanted to be given a fair opportunity to be part of the US war effort in WWII.
I really like this book for bringing together so many important threads - worker safety, segregation and racism during WWII (including extreme violence against enlisted African Americans in the south), the stirrings of the great Civil Rights movements of the 50s and 60s, the early career of Thurgood Marshall, and the ways in which change occurs in fits and starts through resistance and personal courage. And it's all done in the relatively brief space of just over 160 pages (along with great photos and illustrations).
I would recommend this book to any student interested in WWII, disasters, the Civil Rights Movement, the military, and US history in general.
New York : Roaring Brook Press, 2014.
1st ed.
200 p. : ill. ; 24 cm.
From the dynamic cover, to the epilogue - I loved this book. It is an amazing story of unsung Civil Rights heroes who took against racism in the US Navy during WWII and helped force greater opportunities for African Americans in the military - and at great cost to themselves.
This book has all the elements of a great tale - a massive tragic explosion, tales of personal courage, rumors of a conspiracy, the suspense of a trial/court martial, and a positive but not rosy ending. And in telling the tale, Steve Sheinkin brings to life the stories of very young men who simply wanted to be given a fair opportunity to be part of the US war effort in WWII.
I really like this book for bringing together so many important threads - worker safety, segregation and racism during WWII (including extreme violence against enlisted African Americans in the south), the stirrings of the great Civil Rights movements of the 50s and 60s, the early career of Thurgood Marshall, and the ways in which change occurs in fits and starts through resistance and personal courage. And it's all done in the relatively brief space of just over 160 pages (along with great photos and illustrations).
I would recommend this book to any student interested in WWII, disasters, the Civil Rights Movement, the military, and US history in general.
Friday, May 8, 2015
Schooled in Prison
A Question of Freedom by R. Dwayne Betts
New York : Avery, 2010, c2009.
1st trade pbk. ed.
240 p. ; 21 cm.
There have been some really good books out lately about mass incarceration - such as The New Jim Crow and the comic book format, Race to Incarcerate. A Question of Freedom is a great addition to the literature - and especially for high school age readers - in that it personalizes the story in a compelling and finely written memoir by a young man who was sentenced as an adult to 9 years in prison at the age of 16.
Yes, he committed a serious crime - using a gun to carjack a man in a mall parking lot. And yet under the relatively new draconian laws now on the books in many states, he was sentenced a a sixteen year old to serve years in adult penitentiaries in the state of Virginia.
In prison Betts underwent a transformation from a basically good student who was morally adrift - to a thoughtful and powerful writer. His writing conveys - without melodrama - the really twisted world of the US prison system where who you are as a human being is lost in a bizarre world of regulations, danger, and violence. I was especially struck by how much time Betts spent in "the hole" - solitary confinement for minor rule infractions, and how he ended up in Virginia's infamous Red Onion "super max" prison, supposedly for the "worst of the worst" - even though he never did anything more violent than push a rookie guard's hands off of his genitals when that new guard was over zealous in doing a pat down search.
Again and again, Betts also reflects on the sad racial facts of the US prison system where the majority of prisoners are Black and Latino, and on the draconian "get tough" sentencing that locks people away for decades. He himself could have been sentenced to life in prison!
I really like how Betts does not try to shock us with violent or terrifying episodes from prison, but instead conveys the soul killing world of prison - and the redemptive nature of the decent human beings who were kind or protective of him.
I would highly recommend this book for reading in classes. It is ultimately a hopeful book. The author has gone on to be a successful poet in addition to this fine non-fiction memoir. I will be recommending it to any students looking for something about prisons, biographies, young writers, and mass incarceration.
New York : Avery, 2010, c2009.
1st trade pbk. ed.
240 p. ; 21 cm.
There have been some really good books out lately about mass incarceration - such as The New Jim Crow and the comic book format, Race to Incarcerate. A Question of Freedom is a great addition to the literature - and especially for high school age readers - in that it personalizes the story in a compelling and finely written memoir by a young man who was sentenced as an adult to 9 years in prison at the age of 16.
Yes, he committed a serious crime - using a gun to carjack a man in a mall parking lot. And yet under the relatively new draconian laws now on the books in many states, he was sentenced a a sixteen year old to serve years in adult penitentiaries in the state of Virginia.
In prison Betts underwent a transformation from a basically good student who was morally adrift - to a thoughtful and powerful writer. His writing conveys - without melodrama - the really twisted world of the US prison system where who you are as a human being is lost in a bizarre world of regulations, danger, and violence. I was especially struck by how much time Betts spent in "the hole" - solitary confinement for minor rule infractions, and how he ended up in Virginia's infamous Red Onion "super max" prison, supposedly for the "worst of the worst" - even though he never did anything more violent than push a rookie guard's hands off of his genitals when that new guard was over zealous in doing a pat down search.
Again and again, Betts also reflects on the sad racial facts of the US prison system where the majority of prisoners are Black and Latino, and on the draconian "get tough" sentencing that locks people away for decades. He himself could have been sentenced to life in prison!
I really like how Betts does not try to shock us with violent or terrifying episodes from prison, but instead conveys the soul killing world of prison - and the redemptive nature of the decent human beings who were kind or protective of him.
I would highly recommend this book for reading in classes. It is ultimately a hopeful book. The author has gone on to be a successful poet in addition to this fine non-fiction memoir. I will be recommending it to any students looking for something about prisons, biographies, young writers, and mass incarceration.
Monday, February 27, 2012
Wes Moore Wes Moore and a Mirror for America

New York : Spiegel & Grau Trade Paperbacks, 2011, c2010.
Spiegel & Grau trade pbk. ed.
xiv, 250 p. : ill. ; 21 cm.
"Two years after I returned from Oxford, I was still thinking about the story...."
So writes Wes Moore in the introduction to his fine book. The story he was still thinking about was the arrest and conviction for murder of a young man from his home town of Baltimore, MD. What made this crime story compelling, was that the man sentenced to life in prison as an accessory to an armed robbery ending in murder not only was from his hometown, but was about his age, and had the exact same name as the author - Wes Moore.
The details of the case eventually led him to contact the prisoner, and so began a correspondence and series of interviews which led the author to write this book exploring why his life has been so successful and the other Wes Moore's so tragic, even though they both had many similar experiences of hardship and life on the street.
Thankfully, Moore offers no pat answers, but instead presents an unflinching view of how susceptible young African American males are to the social forces and the draw of antisocial and criminal behavior - especially given the tough circumstances that exist for the urban poor - unemployment, disappearing funding for education, lack of present adult role models, and pervasive crime and drug trafficking. Moore never excuses the violent or destructive acts of people, but he is careful to note that the difference between success and tragic failure for young men like himself is often a combination of timing, luck, and the intervention of concerned adults. The author was fortunate to have a Mom who sent him first to a private school, and then to a military school before his life spun out of control This was possible only because of the great sacrifices his family was able to make.
This dual autobiography/biography was given to the UHS library by a student who recommended it to me. It is definitely a story that is bound to appeal to many young people - especially in that it is hopeful without being preachy and yet filled with details of the rough life of the urban streets that appeals to so many young readers.
The book includes an appendix of resources for youth.
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