Unlikely Cast

Still from Aguirre the Wrath of God

Me and Earl and the Dying Girl by Jesse Andrews
New York : Amulet Books, 2015.
295 p. ; 21 cm.

A creative, funny, sometimes vulgar, and ultimately meaningful book about a young man - Greg Gaines - who strives to stay unattached through high school, but ends up pressured by his mother into a relationship with a dying girl - and has to question just who he is and what life means to him.

Part of the wonderful catch to this book is that until he's pushed to be friends with Rachel, the dying girl, Greg has one other "friend" - fellow amateur filmmaker Earl.  Earl and Greg also love film, and the film that they both love best is Werner Herzog's classic, Aguirre the Wrath of God (and so the graphic above).

A lot of the power of this book - which became a bestseller and was well reviewed - owes to it's humor and cynical slant.  Greg is not about to try and learn any deep life lessons from his involvement with Rachel - but he does come to sort of like Rachel in a normal, low-key friendship way.  He also comes to understand that his privileged life is nothing like Earl's life with his intensely dysfunctional family.

There is a lot of bodily, vulgar boy humor in this novel, but that surely is part of what made it successful.  Finally, the movie version of the book did extremely well at Sundance and was bought by by Fox which can only increase the book's appeal.

Solid Gone

Gone Girl by Gillian Flynn
New York : Broadway Books, [2014]
422 p. ; 21 cm.

Publisher's Weekly describes Flynn's Gone Girl as the "tale of a marriage gone toxically wrong" which "gradually emerge[s] through alternating accounts by Nick and Amy, both unreliable narrators in their own ways."  I couldn't have said it better myself - so I won't!  Booklist calls it a "compelling thriller and a searing portrait of marriage" which it is, though I'd say it's a pretty twisted and horrible portrait to be sure.  Booklist does note that Flynn "possesses a disturbing worldview, one considerably amped up by her twisted sense of humor." That is definitely true.

Almost all reviews note that it is compulsively readable and I have to agree.  But it does present a rather sordid and extreme view of human relationships and has some pretty crude generalizations about men, women and their interactions.

I think the strength of the book is the plotting (which is creative and unpredictable) and the use of the unreliable narrators - which keeps the reader guessing and on edge.  

Anyone working with young adults should be aware that though there is not a lot of graphic sex in the novel,  sexual situations are frequently referred to - and occasionally described in very explicit and crude terms.  It's definitely a novel for mature readers, but there will be a lot of requests for the book given its phenomenal success and the successful movie version of it which opened the day I finished the book, Oct. 3, 2014.

The title of this post is a nod to a Carter family song - and it's wonderful performance by the late Doc Watson.