Unlikely Cast

Still from Aguirre the Wrath of God

Me and Earl and the Dying Girl by Jesse Andrews
New York : Amulet Books, 2015.
295 p. ; 21 cm.

A creative, funny, sometimes vulgar, and ultimately meaningful book about a young man - Greg Gaines - who strives to stay unattached through high school, but ends up pressured by his mother into a relationship with a dying girl - and has to question just who he is and what life means to him.

Part of the wonderful catch to this book is that until he's pushed to be friends with Rachel, the dying girl, Greg has one other "friend" - fellow amateur filmmaker Earl.  Earl and Greg also love film, and the film that they both love best is Werner Herzog's classic, Aguirre the Wrath of God (and so the graphic above).

A lot of the power of this book - which became a bestseller and was well reviewed - owes to it's humor and cynical slant.  Greg is not about to try and learn any deep life lessons from his involvement with Rachel - but he does come to sort of like Rachel in a normal, low-key friendship way.  He also comes to understand that his privileged life is nothing like Earl's life with his intensely dysfunctional family.

There is a lot of bodily, vulgar boy humor in this novel, but that surely is part of what made it successful.  Finally, the movie version of the book did extremely well at Sundance and was bought by by Fox which can only increase the book's appeal.

Snow Days

Snow by Orhan Pamuk
New York : Everyman's Library, 2011, c2004.
xxvii, 460 p. ; 22 cm.

I've had my eye on this novel for a while, and figured summer was a good time to read it.  I was interested in reading some international literature (and so the Mahfouz book) and thought that Pamuk might serve as an interesting window into Turkish culture.

I was not disappointed.  This is a rich and vibrant book.  Though published originally in 2002, the novel is very contemporary and relevant today.  Though the narrative thread of the novel is an exiled poet returning to a small provincial town in search of his lost love - it is very much a story of politics and religion. There are subplots involving headscarves, Islamic fundamentalism, coups, and political violence.  Also it is a story of exile, nostalgia, desire, and betrayal.  Reading Pamuk's novel, I could see why he was a Nobel laureate in 2006.

Pamuk is a great story-teller and his novel is wonderfully descriptive and evocative, and also deeply humane.  With Turkey frequently in the news these days because of politics, religion and international events - this novel makes for a fine and timely read.

I would recommend it to a student wanting to read international literary works, but many students might find it a bit slow and not so relevant to their own lives.

Bleak and Beautiful

The Thief and the Dogs by Naguib Mahfouz
New York : Anchor Books, 2008, c1984
158 p. ; 21 cm.

Mahfouz won the Nobel Prize for literature in 1988, and this little gem of a novel gives an example of why.

It is the tale of a man emerging from four years of harsh and humiliating imprisonment, only to find that his wife and her new lover are the ones who betrayed him to the police, and that his criminal mentor is a hypocrite and a man of means and power.   Bent on revenge, Said Mahran ends up destroying the only treasure he has left, his humanity.

In it's short, but intense meditation on the human spirit, this novel reminds me of another Nobel laureates fine little novel, Hemingway's Old Man and the Sea.

I really appreciated this novel of set in 1950s Egypt.  It is straightforward, compelling, and easy to finish, but leaves you with a lot to sit back and think about.

Horse Fatigue

The Crossing by Cormac McCarthy
New York : Vintage Books, 1995, c1994.
425 p. ; 21 cm.

I liked the beginnings of this novel a lot.  The main character Billy, a young man, gets involved in the trapping of a wolf and his attempt to return it to its range, a quest which leads him on a coming of age journey as he wrestles with the ferocious forces of nature and the sometimes kind and sometimes dangerous/savage forces of the human world.

This second novel of the "Border Trilogy" moves from being a powerful story of a young man and his quest to release a she wolf - into a repetitive and gloomier repeat of his All the Pretty Horses, the first book in the is "Border Trilogy." His next quest involves he and his younger brother seeking the horses stolen from his murdered family and the subsequent sufferings and tragedies they experience.

I enjoy the high style of McCarthy, but after a while I just started to grow weary with it.

If you love McCarthy, you will probably enjoy the novel, but I felt like it could have been far shorter and would have been more powerful if it had been.

More Than a Pretty Horse

All The Pretty Horses by Cormac McCarthy
New York : Knopf, c1992.
301 p. ; 22 cm.

I first read this book about fifteen years ago. I read it then because it had won the National Book Award and for the first few pages, I was not impressed. It almost seemed like a parody of Hemingway with its short, sparse sentences - but then, wow! it grabbed me with its lush romantic beauty and gorgeous descriptions and never let go.  Cormac McCarthy has become something of a major literary figure in American fiction, and so I wanted to revisit his novel ( I had planned to read all three of his "Border Trilogy" works, but only made it through the second one, The Crossing.)

All the Pretty Horses works as a love story, a coming of age novel, a quest novel, and and ode to the end of the horseback riders era in the Texas-Mexico borderlands.

The book is in many ways a tale of moralities.  What are the bonds of loyalty, friendship, family, and, of course, love?  It is a tale of integrity, of human-animal interdependence, of the beauty of the land and of the powers of goodness and evil.

I would definitely recommend this book to a student looking for a literary, but very readable and compelling novel.

Civil Rights Sailors and the Big Explosion

The Port Chicago 50: Disaster, Mutiny, and the Fight for Civil Rights by Steve Sheinkin
New York : Roaring Brook Press, 2014.
1st ed.
200 p. : ill. ; 24 cm.

From the dynamic cover, to the epilogue - I loved this book.  It is an amazing story of unsung Civil Rights heroes who took against racism in the US Navy during WWII and helped force greater opportunities for African Americans in the military - and at great cost to themselves.

This book has all the elements of a great tale - a massive tragic explosion, tales of personal courage, rumors of a conspiracy, the suspense of a trial/court martial, and a positive but not rosy ending. And in telling the tale, Steve Sheinkin brings to life the stories of very young men who simply wanted to be given a fair opportunity to be part of the US war effort in WWII.

I really like this book for bringing together so many important threads - worker safety, segregation and racism during WWII (including extreme violence against enlisted African Americans in the south), the stirrings of the great Civil Rights movements of the 50s and 60s, the early career of Thurgood Marshall, and the ways in which change occurs in fits and starts through resistance and personal courage.  And it's all done in the relatively brief space of just over 160 pages (along with great photos and illustrations).

I would recommend this book to any student interested in WWII, disasters, the Civil Rights Movement, the military, and US history in general.
   

Terrific Fair, Fairly Terrible

The Devil in the White City by Erik Larson
New York : Vintage Books, 2004, c2003.
1st Vintage Books ed.
xi, 447 p. : ill., maps, music ; 21 cm.

This is a fantastic and haunting book about the 1893 World's Fair in Chicago. Larson's book manages to convey just how incredible the feat of Chicago's hosting the world's fair was (having just over 2 years to organize and build the entire fair venue) - while also telling the story of serial killer Henry H. Holmes and his immense frauds and scams that helped him elude capture for so long.

The book is a wonderful glimpse into the turn of the century world of the US and Chicago, which had been destroyed by fire only a little over twenty years before.

The reader gets to learn so much about the founding architects of Chicago, the landscaping prowess of John Olmsted - creator of NYC's Central Park - the amazing invention of the Ferris Wheel and the massive turnout of visitors to the fair (including a one day attendance total of over 750,000 people!).  Following the story of killer, H.H. Holmes, also gives the reader a feel for the fast and loose business dealings of the day, the ease with which people could assume false identities, and the plodding nature of police investigations at the turn of the century.

I will definitely recommend this book to anyone who is interested in Chicago history, true crime stories, and just an amazing read.

Compass, Knife, Spyglass

An Alethiometer

His Dark Materials Trilogy by Philip Pullman

The Golden Compass (bk. 1)
New York : Alfred A. Knopf, c1995.
399 p. ; 22 cm.


The Subtle Knife  (bk. 2) 
 New York : Ballantine Books, 1998.
288 p. ; 18 cm.


The Amber Spyglass  (bk. 3)
New York : Alfred A. Knopf, c2000.
518 p. ; 22 cm. 

I read The Golden Compass about 12 years ago for a class in young adult literature.  I thought it was pretty good at the time, but also remember having to rush through it so as to finish all the books on the class reading list.  When my son - who is now several years out of high school - heard me say I was fishing around for some books to read during this summer, he said , "You really ought to read all the books in the The Golden Compass series," better known as His Dark Materials.  I decided I would read them, and I have to say that I enjoyed them a lot.

The trilogy is a fantasy, science fiction tour de force. It manages to explore ideas of the multiverse, religion, theology, particle physics, war, loyalty, family, etc. within a wildly imaginative and every expanding story of adventure, danger, betrayal, loyalty and love.  Religion and theology plays a central role in the books, and so it is no wonder that Pullman's series has faced many challenges and controversy (think Banned Books Week!)

For myself, I liked The Golden Compass best.  I think it is the most spare and elegant - the next installments begin to layer on more and more elements of the supernatural - angels, god, the alternate worlds, etc. to the point where I found it a bit much.  The Golden Compass is also the book that presents Pullman's great conceit - the daemon, an intelligent animal embodiment of the persons psyche/soul.  It's really a marvelous concept and well developed throughout the trilogy.  Though the first book was my favorite, I have no doubt that fantasy fans would love all three.  There are great characters, exciting plot developments, and really wonderful expositions of the setting, etc.

Do you know a fantasy reader who has not read His Dark Materials?  If so they won't be disappointed.

Sprawling History, Sprawling Novel

The Kremlin, Moscow, Russia

Dr. Zhivago by Boris Pasternak
New York : Vintage Classics, 2011.
xxviii, 675 p. ; 21 cm.

I've been wanting to read Dr. Zhivago for some time, and given it's length  (675 p.), it seemed like a good choice for a summer read.

I enjoyed a lot about this novel - it richly conveys the crazy reality that war and revolution can force on people, and the ways in which people try to find a meaningful life within that.  It is also a great love story, of course, which is probably part of why the movie version in the 60s was so successful.

I liked the historical content and movement of a lot of the book, but I did find that the plot began to get a bit unwieldy and confusing as the novel went on, and felt rushed to me at the end.  I also just found the increasing number of improbable coincidences became distracting as read the book.

This was a good book, but not a fantastic novel, in the way that Dostoevsky and Tolstoy have their truly magnificent articles.  However, if a student is a fan of Russian/Soviet history and literature and is looking for a good read, Dr. Zhivago may be just what the doctor ordered!

A Game of Thrones
by George R. R. Martin
New York : Bantam Books, 2011, c1996.
835 p. : maps ; 18 cm.

Writing about A Game of Thrones in the London Review of Books, John Lanchester comments that there are many avid readers who will read just about anything, but will absolutely not read fantasy and science fiction.  That is almost an accurate description of me, except I will read a fantasy and sci fi that has become extremely popular, or is recommended to me by students.  A Game of Thrones definitely fits that description, and I'm glad I read it.

A Game of Thrones represents complex, unpredictable storytelling at it's best.  A character being a main character is no guarantee that he or she will still be alive at the end of the novel - and there is so much treachery, clandestine plotting, and violent conflict - that the plot itself presents surprise after surprise.  Likewise the novel may be moving along in an extremely realistic fashion when suddenly a supernatural element appears so seamlessly that I it caused me to do a reader's double-take.

I think the thing that pleased me most about Martin's Game of Thrones was that it really is well written.  I found myself at times quiet taken by the skill of descriptive setting, or the nuanced personality of a character.  Though - like many fantasy worlds of fiction - it can get a bit complicated and the reader may find herself rechecking the maps at the front of the book and the appendices at the back - the book does not disappoint.

This is not a book that a librarian needs to recommend - though written in the 1990s, the book (and series) has become something of a publishing phenomena due to the wildly successful HBO series which it inspired.  The book also has mature content, containing scenes of violence and sexuality.

Werewolves, and Vampires, and Shadow Hunters, Oh My!

City of Bones

by Cassandra Clare
New York : Simon Pulse, 2007.
1st U.S. ed.
340 p. ; 24 cm.

I have to be up front and admit that this is not really my kind of book, but that being said, it was a fun read with a very imaginative and compelling plot. Where does one start with this realistic/fantasy set in New York. Regular high school girl Clara Fray quickly finds out she's anything but regular and quickly becomes part of the world that we regular folks (mundanes) never see. It is a world of demon killers (shadow hunters), down worlders, raveners, the Forsaken, magic, portals, etc. (you get the picture). The story revolves around Clara coming into her own as she seeks to find out who she really is, how she can save her mother, and who she can love and trust.

Clara is an admirable protagonist - not ridiculously smart, but smart, brave, loyal and oddly normal. The strange coexistence of magic and the normal world recalls Rowling, Gaiman, and Meyer. The plot has just enough romance along with plenty of fights, blood and scariness.

This is the first book in a trilogy, and I assume it will be popular.

New World, New Insights

1491: New Revelations of the Americas Before Columbus
by Charles C. Mann
New York: Alfred A. Knopf, 2005.
465 p. ; 25 cm.

This book offers the reader much to think about, and I would highly recommend it to any US History teacher. However, I don't think it is a great read for most teen readers since it spends an inordinate amount of time discussing the scholarly/academic rivalries and infighting over issues regarding when and how the first peoples came to the Americas. That being said, it would be an excellent reference source for any students researching the peoples of the Americas.

The book naturally looks at three regions: North America, Mesoamerica, and South America. Things I found especially fascinating were the discussions of Cahokia (since it is fairly near to Urbana, IL), the amazing civilizations of the Andes, and the ways in which the "pristine" environments of the Americas that Europeans stumbled into (prairie, woodland, Amazon rainforest, etc.) were really not pristine at all, but essentially well managed ecosystems constructed and cultivated by the original inhabitants to benefit them.

1491 also helped me realize that the origins of American Indians is not yet a settled issue, and there may have been several waves of immigration extending farther back than the usually dated 15-20,000 year range.

Not Mad About Mad Cow Adventures

Going Bovine
by Libba Bray
New York: Delacorte Press, 2009.
480 p. ; 22 cm.

All right, this book garnered great praise and won the 2010 Printz Award - but... I just couldn't lose myself in this overwrought book. The back of the book offers breathless comparisons to Catcher in the Rye and predicts that it may well become a cult classic. I don't think so. It's hard to put my finger on what I don't like about this book, but perhaps a few excerpts will illustrate:

"'Who the heck is Don Quicks-oat?' That's what Chet King wants to know.

It's early February, six weeks into the new semester, and we're in English class, which for most of us is an excruciating exercise in staying awake through the great classics of literature. These works - groundbreaking, incendiary, timeless - have been pureed by the curriculum monsters into a digestible pabulum of themes and factoids we can spew back on a test. Scoring well on tests is the sort of happy thing that gets the school district the greenbacks they crave...." (p.6)

***

"After some minor league pleading with Mom, she agrees to let me take the Turdmobile, her crap-brown box of a car. It's ugly but it runs, and it's better than the bus when you're late. All down the block, the lawns are alive with men on riding mowers. They gallop across their yards, whipping them into shape, in control of those few square feet of ground. All hail the suburban action heroes!" (p.39)

I just don't buy it. The voice is of an adult writing as if a teen. I think what made Catcher in the Rye so unbelievably great, was its pure originality. There's nothing about this character that's original. He's cynical about school, jocks, and suburbia...yeah? A real cult classic will have a protagonist who loves suburbia and who's school is both inspirational and dull and complicated - now that I will get my attention.

The plot of the story is creative and original, though, featuring the hero who is literally losing his mind to mad cow disease. Is the narrative real or in his head? For this the book deserves great praise, in that it's action puts you very much inside the mind of someone who's mind is disintegrating and becoming increasingly unreliable.

My experience with this book is that it just doesn't circulate all that much, and the several kids who checked it out did not recommend it, alas.

Mad About Alice

Alice's Adventures in Wonderland and Through the Looking Glass
by Lewis Carroll
New York: Barnes & Noble Classics, 2004.
286 p. ; 22 cm.

Before there was Douglas Adams or Terry Pratchett there was Lewis Carroll. Not able to remember if I had actually read all of Alice's Adventures in Wonderland or Through the Looking Glass (or just absorbed it ala Disney!) - I decided to read the novels this summer.

They are an easy read and enjoyable, but I found them both to get a bit tiresome after a while. Again and again one follows Alice as she wanders through a world of absurdity, metafiction, pun, wordplay, and pure zaniness. Not bad at all, if that's to your taste, but after a bit I just found myself wanting a little more. However, like Adams (and maybe like Neil Gaiman), Carroll's novels are not all light and fun; and undercurrent of threat and morbidity runs throughout the novels. Given Carroll's own stunted sexuality and abuse of the little girls he spent time with, this unsettling aspect is not surprising; I couldn't help but feel that the greatest threat lurking in the novel is the dread of girls actually growing up.

Mourning for America

The Man Who Sold the World: Ronald Reagan and the Betrayal of Main Street America
by William Kleinknecht
New York: Nation Books, 2009.
317 p. ; 22 cm.

This book is a great antidote to the hagiography surrounding our 40th President, Ronald Reagan. Kleinknecht doesn't pretend to be unbiased, but lambastes the policies and legacy of the Reagan administration. However, the book is not just polemics, but a well researched investigation into activities of the Reagan administration and especially its powerful legacy of deregulation and redistribution of wealth upward.

The book is a bit long for general high school readers, but is indispensable for research into the politics of the 80s. The book is not a biography, but an analysis of the successes of the Reagan revolution - successes that Kleinknecht argues have made our society less equal, less compassionate, more consumerist, and more vulnerable to the predations of unfettered capitalism.

A Plot That Never Let's Go

The Knife of Never Letting Go
by Patrick Ness
Cambridge, MA : Candlewick Press, 2008.
1st U.S. ed.
479 p. ; 23 cm.

The first thing to say about The Knife is that it is a very creative novel. It manages to be science fiction without seeming to much like science fiction. It has several conceptual devices that are unprecedented. For example, much of the novel is about Noise. On the colonized planet where the action takes place, the men can hear and even see one another's thoughts. Men can try to hide or obscure their Noise, but it is impossible to keep it completely hidden. As one can imagine, this situation creates some very tense and dramatic episodes - especially when one is being hunted by hostile men. Women, on the other hand can hear men's Noise, but their thoughts remain private. Lastly, animals on this new planet can talk - and as you might guess, their expressions are very limited and basic.

The novel also delves into very deep issues about men, women, violence, xenophobia, religion, war, colonization, lies, propaganda, brainwashing, friendship, bravery, cowardice, loyalty and - of course - love.

As you can probably tell, there was a lot that I really liked about this novel. The writing, too, is very skillful. The main character, who narrates the story, has a way of expressing himself that uses interesting mispellings and Noise is indicated by bold, casual font. In spite of liking a lot about this novel, I ultimately found it to be very disappointing. It is essentially a pursuit-thriller story and the chase of the main character and his female ally by the villains is at times overwrought and improbable. Over and over the two heroes seem safe only to be surprised or overtaken by their pursuers. Especially ridiculous, is the main villain, Aaron, who seems to be more of a terminator sort of figure than a human as he survives mauling by crocodiles, near drowning, severe head injuries, and a severe dog mauling.

Finally, I was really put off with the ending of the novel, in that there is no real closure. The story is left hanging - really just another version of the repetitive plot device of supposed safety reached that actually results in even greater peril. This kind of unfinished ending feels manipulative, and a thinly veiled tactic for selling the sequel. I would contrast this kind of gimmick with the satisfying ending to The Hunger Games. The Hunger Games is a complete novel, but does not preclude it's being continued in book 2, Catching Fire. When you reach the end of The Knife on the other hand, you are essentially left with an unfinished book. Some readers may enjoy this, but it is not my cup of tea.