The Mystery of the Sequel

Truly Devious by Maureen JohnsonNew York, NY : Katherine Tegen Books, an imprint of HarperCollinsPublishers, 2018.
420 p. : ill., map ; 21 cm..

This well written, well-plotted mystery got plenty of good reviews - and it is interesting and fun to read - but I just didn't love it.  Okay, confession, I'm not a huge mystery fan to begin with so that has to figure into the mix.  However, I think there is more to it than that.  I just didn't feel like there was much "at stake" in this boarding school for elite thinkers mystery.

The story involves students who are at an elite, all-expenses paid boarding school founded by an extremely wealthy man in the 1930s who, not long after opening the school, lost his wife and daughter to kidnappers.  Additionally, a student at the school was also killed around that time.

Some students come to the school to write novels, direct plays, create art, or just be brilliant and eccentric, but one student is there with her project being to solve the kidnapping/murder case which has never been solved.  In the course of the novel, we get to know this modern sleuth, Stevie Bell, and witness new and terrible mysteries evolve in real time.

So what's wrong with that?  Well, nothing really.  I just found that I didn't care all that much, and never really had that reader's bond with a character which (for me) is one of the joys of reading - even escapist reading.

I think I would have been satisfied if instead of this character bond, I had at least had the satisfaction of a plot ingeniously and surprisingly tied up.  But that is precisely what does not happen, and my cynical guess is because Johnson's publishers insisted that a trilogy (yes that dreaded rainmaker of YA lit) was necessary.  So hold your breath, and wait for book 2 and book 3 of the "Truly Devious" mysteries to have all your questions answered.  Or if you have other reads on your shelf demanding attention, just shrug and say, "Whatever happens eventually, is a mystery to me."

Lush Life

The Shadow of the Wind by Carlos Ruiz Zafon
New York : Penguin, 2005, c2004.
486 p. ; 22 cm.

I first read Shadow of the Wind about 8 or 9 years ago on the recommendation of an exchange student from Argentina.  He said it was his favorite book and had changed his life.  Well, how can a high school librarian not want to read a book with that kind of intro?  I really liked it - a lot - back then, and have since occasionally recommended it to students.  Recently a student who reads a lot was asking about a recommendation for a book with a lot of mystery and plot and good writing.  I almost forgot about Shadow of the Wind, but then recalled it and suggested it to him.

Well, it had been a long time since I had read it and I thought, maybe it hasn't aged so well, or maybe it's not as good as I remember - and so I decided to read it again.  I was not disappointed.

If you look on Goodreads, you will find a lot of extremely positive reviews and a few cranky dismissals of the book.  I'm going to have to weigh-in on the side of those who love the book.  Yes, the book is a bit melodramatic, yes it is almost overly-romantic, yes it is highly stylized, but (and this is crucial) the book is all those things because it is a passionate homage to the love of literature, the love of justice and compassion, and the love of romantic love.  It also is beautifully written.

It's not a perfect novel, but it is both a delightful and haunting read.  Set in the moral, social and physical wreckage of post Civil War Spain, Ruiz Zafon makes Barcelona a character itself, as the varied heroes of the novel reveal their passionate and complex ways of surviving and being humane in fascist Spain.

If you are someone who loves reading, or literary writing, or an exploration of the passion of love, then you will certainly love Shadow of the Wind.  Not every young adult will find it to be their favorite novel, or the one that changes their life, but some will and will thank you for recommending it.

Solid Gone

Gone Girl by Gillian Flynn
New York : Broadway Books, [2014]
422 p. ; 21 cm.

Publisher's Weekly describes Flynn's Gone Girl as the "tale of a marriage gone toxically wrong" which "gradually emerge[s] through alternating accounts by Nick and Amy, both unreliable narrators in their own ways."  I couldn't have said it better myself - so I won't!  Booklist calls it a "compelling thriller and a searing portrait of marriage" which it is, though I'd say it's a pretty twisted and horrible portrait to be sure.  Booklist does note that Flynn "possesses a disturbing worldview, one considerably amped up by her twisted sense of humor." That is definitely true.

Almost all reviews note that it is compulsively readable and I have to agree.  But it does present a rather sordid and extreme view of human relationships and has some pretty crude generalizations about men, women and their interactions.

I think the strength of the book is the plotting (which is creative and unpredictable) and the use of the unreliable narrators - which keeps the reader guessing and on edge.  

Anyone working with young adults should be aware that though there is not a lot of graphic sex in the novel,  sexual situations are frequently referred to - and occasionally described in very explicit and crude terms.  It's definitely a novel for mature readers, but there will be a lot of requests for the book given its phenomenal success and the successful movie version of it which opened the day I finished the book, Oct. 3, 2014.

The title of this post is a nod to a Carter family song - and it's wonderful performance by the late Doc Watson. 

Tattoos Dragons and Serial Killers

The Girl with the Dragon Tattoo
New York : Vintage Books, 2011, c2009.
1st Vintage Crime/Black Lizard premium mass-market ed. 
644 p. : maps ; 20 cm. 


With the recent US release of the movie, The Girl with the Dragon Tattoo, requests for Stieg Larsson's novels really started to pick up here in the library. When I heard someone who saw the movie say how violent and disturbing some of it was - I thought I should read the bestseller and see what I thought of it myself...

Having just finished The Girl with the Dragon Tattoo, I can definitely understand the success of the novel.  Like Dan Brown's Da Vinci Code, it is tightly plotted, well told and filled with unexpected twists and turns.  Though the novel deals with very disturbing incidents of rape and murder - it is not luridly gratuitous.  The plot is also quite complicated and requires the concentrated attention of the reader - so it is a book that would appeal to mature readers only.

For myself, I don't think I'll be reading the following two novels in the trilogy - The Girl Who Played with Fire and The Girl Who Kicked the Hornet's Nest.  As compelling as the plot was, and as relevant as the plot elements of corporate and financial criminality are, I frankly find the world of the novel too disturbing to be entertaining - and that is what these novels excel at.  I know that there are serial killers, abusive sadists and rapists - but reading fictional thrillers about them just doesn't appeal to me all that much.