Sawkill Girls by Claire Legrand

New York, NY : Katherine Tegen Books, an imprint of HarperCollins Publishers, 2018.

1st ed.

447 p. ; 22 cm. 

A mother and her two teen daughters relocate to the wrong island to move past the grief of the father's recent death. It's the wrong island because it has a history of being a place where every ten years or so a girl goes missing - and one more has just disappeared before they arrive.  And the pace of these crimes is picking up fast.

This is not a novel about any ordinary human serial killer.  The villain is a supernatural monster whose feasting on its victims is pretty gruesome stuff!  I won't give a ton of spoilers, except to note that the newly arrived family is soon right at the center of the action,  along with two other teen females who live on the island.  Though most on the island have no clue about the monster, it does have allies and enemies among humans - both on the island and back on the mainland.  

A lot of the "fun" of this novel is learning bit by bit what's happening and who's involved - and with the way the plot picks up its pace so that by the end you are turning pages to see just what's going to happen.  Along the way there are deaths, betrayals, love, romance and danger (of course).

For me, I didn't care so much for the supernatural elements of the novel - the natural world is tied up in the paranormal events in which horses, moths, the sea and even the rocks all get involved.  But there is a strong gothic-horror atmospherism to this tale, along with interesting characters, and a strong underlying feminism that keeps it all moving. So if you are into thrilling horror with a strong infusion of action and paranormal energies and monsters then this novel will keep you satisfied right to its last page.      

Heavy Lifting

Stamped from the Beginning: the Definitive History of Racist Ideas in America by Ibram X. Kendi

New York : Nation Books, 2017.  

xi, 582 p. ; 24 cm. 

 

Ibram X. Kendi's Stamped from the Beginning is a long read [more than 500 pages], a painful read, a hard read, and yet a necessary and worthwhile read. As a Kirkus review noted, one can dispute that this is the "definitive" history of racist ideas, but the book is an indispensable tool for coming to terms with the anti-Black racism in the US - and is a powerful tool in offering ways to wrestle with it.  

Kendi, positioning himself as an anti-racist, posits that the project of racism in the US advances not only through the efforts of segregationists (who consider Black people as inherently inferior to whites), but also with the help of assimiliationists who consider black people/culture as being pathological (due to racism) and yet capable of eventually achieving the "standards" of  the best of white culture and civilization. For Kendi, anti-racism is the force that can dismantle the damages of segreationism and assimilationism.  It is a powerful idea.

Kendi traces the history of racism and anti-racism in the US through five historic persons - Cotton Mather, Thomas Jefferson, William Lloyd Garrison, W.E.B. Du Bois, and Angel Davis.  I found the section on Angela Davis to be the most satisfying in that I think it best illuminates the way that capitalism and racism are inextricably bound up.  Davis is also a great role model for the importance of intersectionality. 

This book took me almost a month to get through, so it might be a struggle for most YA readers.  But I'll definitely get the YA version written with Jason Reynolds for this library and look forward to reading through it.

 

 

What Brown's Gonna Do With You

The Good Lord Bird by James McBride

New York : Riverhead Books, 2014.

458 p. ; 21 cm.

When a book wins the National Book Award (2013), that definitely puts in on one's radar - and so I brought home The Good Lord Bird with me during the spring and summer pandemic lock-down.  

This novel is a rollicking, funny, provocative and hard to put down read.  It follows the adventures of Henry, an enslaved 12 year old freed in Kansas by the passionate and violent abolitionist, John Brown.  Mistaking Henry to be Henrietta, a girl, Brown "adopts" him into his band and nicknames her "Little Onion." The novel is told by Henry who - with his maturing over about three years, his change from enslaved to free, and his passing as a girl - allows McBride to explore many angles of John Brown's movement and eventual assault on Harper's Ferry.  McBride is able to present shifting and complex takes on fanaticism, recklessness, posturing, violence, racism, slavery, sexism, opportunism, danger, and sacrifice by giving his smart-alecky, wry and cynical main character center stage.

The cover of the book has a quote from the New York Times referencing Mark Twain, and I definitely felt the sensibilities of Twain's character Huck Finn in McBride's Henry.  

The novel is not without provocation.  Henry - suffering the harsh, spartan life of being with a paramilitary band on the frontier - at times wishes he were back being enslaved.  Fredrick Douglass comes in for some harsh treatment as a "diva" of the antislavery circuit and as an intemperate sexual harasser.  But all in all, the novel is a brilliant run through a historical episode in US history that still reverberates to this day.  I would definitely recommend it to a reader who wants a good literary read that will grab them and not let go.

Two Days by the Sea

To the Lighthouse by Virginia Woolf 

Boston : Mariner Books, [2005], c1955.

xii, 209 p. ; 21 cm.     

I decided to read To the Lighthouse during the stay at home time this spring since I haven't read Virginia Woolf in a long time and it seemed like a short read and a chance to catch up on a "classic." 

This is not a novel you read for the narrative.  Most of the book happens on two single days separated by an interval of ten years. Within those ten years Europe is ripped apart by WWI and one of the central characters of part one dies.  However the novel is more interested in the impressions of various characters and the complex inner life of the characters. Instead of narrative being the engine of the novel, the movement of the novel is driven by impressionist and poetic writing.

There is much to admire in Woolf's writing, but I have to say it took me longer to read than I expected.  It's a book one savors for its stylistic accomplishments.  I think reading it during the pandemic, made it harder to truly enjoy the rich artistry of the writing.  With all that said, it's not really a book I would recommend to a student, unless they are really interested in literature as an art form.  In that case, I would recommend it as a significant milestone in English fiction, one that charted new territory for the genre.

Cruel School

The Nickel Boys by Colson Whitehead

New York : Doubleday, [2019]  

213 p. ; 22 cm.

 

After reading Whitehead's The Underground Railroad, I knew I wanted to read his latest novel - The Nickel Boys.  Underground Railroad was brutal at times, but the fantastic nature of the novel helped me as a reader keep it's terror at bay - there is no such consolation in Nickel Boys, especially when you realize that the novel is firmly grounded in the real-life horrors that occurred in the Dozier School for Boys in the Florida panhandle. 

Whitehead's novel is set in the mid-60s and involves a stand-up African American high school student - Elwood- who is headed for college near Tallahassee.  But being a young black man in Jim Crow Florida lands Elwood in a reform school for boys that is run with sadistic cruelty, racism and corruption.  There, the idealistic Elwood faces the barbarism of the school and becomes friends with the more savvy Turner who is willing to help them both survive (boys in the school are sometimes killed by the staff both in real-life and in the novel). The novel is a taught and terrifying story of survival in the cruelest of environments. The reader never knows what will happen to the characters right up until the shocking ending. 

As I mentioned in my post about The Underground Railroad, Whitehead is a superb writer and - if you can endure the cruelty of the events - the novel is well worth reading.

An Unnerving Ride

The Underground Railroad by Colson Whitehead
New York : Anchor Books,  2018.
1st Anchor Bks. ed.
313 p. ; 21 cm.

This was supposed to be Spring Break week, and instead it has turned into the start of an extended period of school closings and home isolation for weeks (no one knows how many) as the Covid-19 pandemic picks up the pace of its global onslaught here in the US.

I am so glad that one of the novels I brought home with me for the break was Whitehead's The Underground Railroad.  The novel was published to huge acclaim - winning the Pulitzer Prize and National Book Award, and I heard it described as a fantastical tale of historical fiction where the figurative Underground Railroad is turned into an actual subterranean working railroad.  I was a bit skeptical - but - wow! - if you haven't read this novel, it is a must read.

Whitehead has also won one of those MacArthur "genius" grants and all I can say is "Yes!" and admire the foundation for recognizing him way back in 2002 when he had only written two novels. He writing is a thing of wonder.   He manages to do so many things right in such a complicated and yet accessible way.  He can create history that never was in order to make the history that was come alive in eerie and unsettling ways.  He made me mull over the (literally) tortured history of this country and the nature of human cruelty and courage in ways that go right to the heart.

Yes, Whitehead's Underground Railroad has real tunnels, tracks and locomotives - but you never for a moment doubt it.  And his narratives of enslaved life and the escape narrative will have your heart racing as you turn the pages rooting for the heroes of the novel.

It is such a thrill to read a writer's work when they are in their prime and to know that you are reading someone whose works will be read and admired long after you are gone. It is a thrill and an honor.

Can you tell I loved this novel?  Recommend it. Read it.  Sit with it and let it work its magic on you.  You won't be disappointed.

 

Before the Road

Parable of the Sower by Octavia Butler
New York : Warner Books, 2017, [2000]
345 p. ; 21 cm.

I was pretty excited to learn that the creative duo who brought Octavia Butler's Kindred out as a best-selling graphic novel  has published another graphic novel adaptation of a work by Octavia Butler: Parable of the Sower.  But before reading the graphic novel, I wanted to read Butler's original novel.

I'm so pleased that Butler's work is experiencing a renaissance of late. Her work is powerfully imaginative and touches on so many relevant themes: racism, injustice, violence, social upheaval, displacement, and compassion.  Additionally, her stories are exciting and her writing engaging. Parable of the Sower is no exception. Set in California in the future (2025) there is a lot that is familiar - technological achievements, drug addiction, police corruption, gated communities, poverty, climate disruption, corporate greed, crime and violence - but the negatives are ramped-up to the extreme. Civic institutions - police, fire, and civic institutions - have become worthless, corrupt, and sometimes dangerous, while violent individuals and bands of criminals wreak havoc on small communities that seek to protect themselves with walls and guns.  Out of this maelstrom a small band of refugees looks to create a new society, led by the protagonist of the novel, a young 18 year old woman. She is a mystical figure who wants to start a new religion, Earthseed.

Parable of the Sower reminded me a bit of Cormac McCarthy's The Road which was written long after Butler's novel, but shares some of the same disturbing views of the savagery of human nature. 

I'll be interested to see how the the graphic novel version of this is.  Our library has it and it has been getting excellent reviews.   

If I find a student who is interested in afro-futurism or dystopian fiction, this is a book I'll definitely recommend.