Long Book Sad War

For Whom the Bell Tolls by Ernest Hemingway

New York : Scribner Paperback Fiction, 1995, c1940.

 471 p. ; 21 cm.     

I have to be honest, I didn't really plan to read this book, but after watching the PBS series on Hemingway, and then reading a book from our library about the Spanish Civil War, I was curious to read this novel of his. 

I found the PBS series problematic in many ways. It overly lionized Hemingway, and tended to minimize what an awful and incredibly sexist person he was.  But there was great footage and lots of other information worth taking in about this really important literary figure.  

I initially sat down to read just excerpts of the novel, but the writing is compelling and I ended up enjoying reading it, even when I felt like the movement of narrative was overly ponderous.  Like Mario Vargas Llosa in the documentary, I too felt that the love affair in the novel was overwrought, immature and something of a distraction.  However, the portrayal of characters in the guerrilla band that the main character works with and the ludicrous characters running the war for the Republic are really strong points of the novel.  Hemingway's ability to convey the moral degradations and salvations of people at war are also striking. And knowing as we do that the fascists triumph in Spain, it is sometimes exquisitely painful to read this novel that was written before the outcome was determined. 

I can't say I would recommend this book to a student, but occasionally students pick Hemingway for their senior literary research paper and I'm glad I'll have read this as a point of reference going forward.  

A Terrible Beauty

Vincent and Theo: the Van Gogh Brothers by Deborah Heiligman

New York : Goldwin Books, Henry Holt and Co., 2017.

454 p. : ill. (some col.) ; 24 cm. 

This book brings up some of the problems I find with the whole YA book marketing enterprise.  This is a superb book - one that anyone with the slightest interest in the visual art of painting should read, and by anyone I mean young person, young adult, middle-aged adult, or senior citizen.  It is a wonderful book that lovingly tells the story of artist Vincent Van Gogh and his slightly younger brother Theo, who devoted himself to supporting and championing the work of Vincent. But it is packaged as a YA nonfiction selection - and has deservedly won awards in that category. It may seem I'm nitpicking, but it really seems wrong to me that this book didn't get equal promotion as an adult nonfiction book - it's that good! Also, as much as I hate to say it, it's length (454 pages) is just going to turn off a lot of younger readers - even those with an interest in art.

With all that said, I can say that I loved this book.  I learned a lot from it (e.g. how Theo correctly pushed Vincent to add more color to his palette which was originally muted and grounded in earth tones). The book really opens up the terrible mental anguish and affliction that Vincent suffered and also does justice to the truly inspiring (and sometimes difficult and contentious) love between these two brothers.  Both Vincent and Theo emerge from this telling as very, very human and also very heroic figures.  One finishes the book with a great appreciation for how doggedly Vincent worked at teaching himself and practicing his art and how unstinting Theo was in supporting him.  Importantly, Heiligman gives credit to Theo's wife Jo, who also (in spite of being married to Theo for only the last year and a half of his short life) ensured that Vincent's work and legacy was championed and preserved.

Another positive feature of this book is that it includes excellent end material: a descriptive list of prominent characters, a timeline, copious notes, and a thorough index.

I'll add in closing that I was surprised at the emotional impact of the book. Heiligman's retelling of Vincent and Theo's deaths (just six months apart) left me teary eyed. This is a wonderful book and it is one that I'll be recommending to young and older readers alike.